From his involvement in the infamous Frankie Goes To Hollywood sessions, Andy Richards has become an accomplished producer and programmer in his own right. Nicholas Rowland listens to a rationalisation of technology.

Currently opening the show for the Megadog Midi Circus, Toby Marks (aka Banco de Gaia) is living proof that one man and a rack full of gear can get an audience to its feet and keep it there. And as Phil Ward discovers, Toby enjoys meeting people, likes to travel and drives a small red van.

Blue Weaver, former Bee-Gee and session musician takes Janet Angus round his new studio.

Who helped make Climie Fisher's single a hit? And the Pet Shop Boys', and Depeche Mode's, and Bananarama's? David Bradwell investigates the latest action in the Stock, Aitken & Waterman production stable.

The art of writing music for popular television in the last few years may have been single-handedly redefined by Jan Hammer. His upbeat, rocky soundtracks to the hit TV series 'Miami Vice' (along with a few of the chart hits used in the show) have now produced two albums of instrumental music. Ed Jones finds out how they were done.

In an exclusive interview, this longstanding keyboard hero and Miami Vice music maestro discusses keyboard technique, and what it’s like to achieve mass recognition after years of obscurity. Annabel Scott takes note.

Jan Hammer Talks Tech

The man who brought computers to Frankie and programmed his way to chart infamy with The Art of Noise, fits in an interview before going out to play some very English sport. Paul Tingen fills in the scorecard.

JJ Jeczalik And The Art Of Toys

Best known for his pioneering sampling work and his role in The Art of Noise, JJ holds strong views on the creative use and abuse of studio equipment.

A prolific American synthesist interviewed

Master of sampling and synths dissembles

Mark Jenkins pins down the expert synthesist/programmer best known for his work with Peter Gabriel, and discusses the release of his eighth solo album - 'Metropolitan Suite'.

Tim Goodyer talks to the man who's programmed Peter Gabriel's synths, recorded a host of electronic albums under the name Synergy, and started up his own record label for instrumental music.

Patrick Leonard has a surprisingly low profile for the producer and cowriter of many of Madonna's biggest hits, but his production work and nascent solo career suggest that wider recognition is on the way. Paul Tingen meets a man of many talents and strong views.

Pete Harris, engineer, producer and programmer talks to Paul White about working in the Zomba empire.

While many producers are content to work within one or two musical styles, Peter Collins casts a much wider net - using high technology to increase the number of possibilities open to him.

Computer Musician in Rock

A journey through the musical world of this well respected guitarist

The original hurdy-gurdy man takes Tim Barr on an ambient perambulation through his current project, System 7

...Is already hugely successful as an engineer, producer, musician and programmer for the likes of Grace Jones and Frankie Goes To Hollywood. Paul Tingen finds fame has made him disillusioned and cynical.

An American synthesist and composer with a soft spot for aborigines and analogue sounds, talks to Bob O'Donnell about programming synths and sequencers old and new.

An interview with one of Britain's most gifted keyboard players and programmers. He takes us through the various electronic instruments he's owned, and gives some insight into how to go about programming such complex polysynths as the Yamaha CS80 and Rhodes Chroma.

Creating The Future

Anyone can dream about the studio of the future, but it takes a unique talent to build it in the present. Wally Badarou's personal studio defies conventional ideas of studio design, substituting voice-controlled DMP11s for a large console, and putting the musician first. Paul Tingen listens in.