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Gear

C-Lab Creator

Review | Music Technology, Dec 1987
Software for the Atari ST

The competition for an industry-standard sequencing program to accompany the industry-standard computer hots up, as Simon Trask finds out when he picks up the mouse on C-Lab's contender.

C-Lab Creator

Review | Sound On Sound, Nov 1987

Martin Russ loops the hours away with Version 1.2 of this new MIDI sequencing package for the Atari ST computer from Germany's C-Lab.

C-Lab Creator

Review | Micro Music, Jun/Jul 1989

One of the most popular professional sequencing packages for the ST gets the once over from John Renwick

C-Lab Creator And Notator

Review | Music Technology, Feb 1989
Software for the Atari ST

Following the success of C-Lab's Creator sequencing software for the Atari ST, the company have updated it and added a sophisticated scorewriting program. Simon Trask takes note.

C-Lab Creator/Notator 3.1

Review | Music Technology, Jan 1992
Atari ST Software

Another recently updated package is C-Lab's Atari sequencer/notator. Ian Waugh experiences the delights of an excursion on the version.

C-Lab Creator/Notator V3

Review | Music Technology, Mar 1991
Atari ST Software

One of software's greatest strengths is its ability to evolve. Ian Waugh looks at the refinements now available in one of the most popular sequencing/notation packages.

C-Lab Notator

Review | Sound On Sound, Sep 1988

By combining their 64-track 'Creator' MIDI sequencer with a set of powerful new features and a scorewriter, C-Lab have produced arguably the most sophisticated music notation package to date for the Atari ST. Ian Waugh supplies the notes...

We found these other (non-review) articles that are linked to this gear:-

Orchestral Manoeuvres

Feature | Topic: Arranging, Sequencing | Sound On Sound, Aug 1989
Mozart Meets C-Lab Notator

Proving that hi-tech tools are not the sole preserve of pop musicians, Richard Gonski, Music Director of the Electric Symphony Orchestra, tells how he and Francis Monkman took Mozart's Piano Concerto In C Minor, K.491, and sequenced the whole work using C-Lab's Notator.

 

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