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1..2.. 3,4,5 - How To Bring Your Sounds AliveReview | Sound On Sound, Dec 1986Roland DEP-5 multi-effectsJulian Colbeck brings you the key facts on Roland's improvement on the SPX90. |
20/20 VisionReview | Recording Musician, Dec 1992Peavey SDR 20/20 Digital Multi Effects UnitA refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity. |
ADA 2FX Digital Multi-EffectsReview | Home & Studio Recording, Feb 1985 |
ADA 2FX Digital MultieffectsReview | International Musician, Mar 1985EffectscheckA veritable jamboree bag of effects in one rackmounting unit |
ADM Europa PedalboardReview | International Musician, Jun 1985EffectscheckA programmable effects board for Dave Burrluck to play footsie with |
Alesis MIDIFEXReview | Sound On Sound, Aug 1986Several months after the MIDIVERB turned the world of stereo digital reverb on its head, Alesis look set for a repeat performance with their latest unit - a combination of digital delay, reverb and stereo enhancer. Paul Gilby seems lost for words. |
Alesis MidifexReview | International Musician, Oct 1986Studio TestThe MIDIverb set new standards for low-price, high quality digital reverb. Can the MIDIfex do the same for even more digital effects? Curtis Schwartz reports. |
Alesis QuadraverbReview | Music Technology, Apr 1989Digital Multi-effects ProcessorFollowing the success of their Midiverbs and Microverbs, Alesis have developed a unit capable of providing no less than four audio treatments simultaneously. Ian Waugh practices his four-play. |
Alesis QuadraverbReview | Home & Studio Recording, Mar 1989The long-awaited new box from Alesis gives the user access to up to four simultaneous high quality effects. |
Alesis Quadraverb PlusReview | Music Technology, Apr 1991Multi-fx ProcessorPossibly the most popular budget multi-fx processor currently available, the Quadraverb has just been upgraded and promoted to the rank of 'Plus'. Nigel Lord investigates. |
Art AttackReview | Recording Musician, Jan 1993ART SGX T2 Guitar And Studio FXART have what is probably the most confusing product range on the market — and this is one of the latest models. |
ART MultiverbReview | Sound On Sound, Jan 1989In this age of the preset, you need all the help available to stamp your personality on the sounds you produce. Paul Ireson finds a new ally in the fight for individuality - ART's fully programmable, four-effects-at-once signal processor. |
ART Multiverb AlphaReview | Sound On Sound, Jan 1992The Multiverb Alpha is the latest and greatest in ART's series of studio multi-effects processors. Dave Lockwood checks it out. |
ART Multiverb AlphaReview | Music Technology, Jun 1992Multi-fx ProcessorIn their efforts to establish their signal processors as strongly in the UK as they have in the States, ART can't seem to bring out enough effects units. Nigel Lord evaluates the ART with aspirations to be number one. |
ART Multiverb IIReview | Music Technology, Nov 1989Multi-FX ProcessorTaking the Multiverb as their starting point, ART have a new multi-effects processor with which to enhance your music. Ian Waugh says the verb is "to want". |
ART Multiverb IIIReview | Music Technology, Aug 1990ART Multi-fx ProcessorAs even the most modest MIDI studio becomes a powerful tool for the creation and recording of music, sound processing becomes a more essential part of it. Tim Goodyer checks out ART's latest multi-fx processor. |
ART Multiverb LTXReview | Music Technology, Jul 1992Multi-effects ProcessorART's ever-expanding range of signal processors is intended to cater for musicians of all styles and financial means. Nicholas Rowland test drives a new effects unit whose price belies its power. |
ART SGEReview | Sound On Sound, Oct 1989Multi Effects ProcessorDavid Mellor samples the delights of a multiple effects unit that can create up to nine high quality effects at the same time. |
ART SGEReview | Music Technology, Dec 1989Multi FX ProcessorWith multi-fx processors appearing faster than dissenting conservative back-benchers, the pressure is on to come up with something different. Simon Trask investigates a processor that uses analogue circuitry for its unique character. |
ART SGX-LT Multi-EffectsReview | Sound On Sound, Sep 1992Guitar Multi-Effects ProcessorA multi-effects processor for the guitarist who wants instant gratification without all that tedious mucking about in hyperspace? Paul White plugs into the ART SGX-LT. |
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