Review | Sound On Sound, Dec 1986
Roland DEP-5 multi-effects
Julian Colbeck brings you the key facts on Roland's improvement on the SPX90.
Review | Recording Musician, Dec 1992
Peavey SDR 20/20 Digital Multi Effects Unit
A refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity.
Review | Home & Studio Recording, Feb 1985
Review | Sound On Sound, Aug 1986
Several months after the MIDIVERB turned the world of stereo digital reverb on its head, Alesis look set for a repeat performance with their latest unit - a combination of digital delay, reverb and stereo enhancer. Paul Gilby seems lost for words.
Review | Music Technology, Apr 1989
Digital Multi-effects Processor
Following the success of their Midiverbs and Microverbs, Alesis have developed a unit capable of providing no less than four audio treatments simultaneously. Ian Waugh practices his four-play.
Review | Home & Studio Recording, Mar 1989
The long-awaited new box from Alesis gives the user access to up to four simultaneous high quality effects.
Review | Music Technology, Apr 1991
Possibly the most popular budget multi-fx processor currently available, the Quadraverb has just been upgraded and promoted to the rank of 'Plus'. Nigel Lord investigates.
Review | Recording Musician, Jan 1993
ART SGX T2 Guitar And Studio FX
ART have what is probably the most confusing product range on the market — and this is one of the latest models.
Review | Sound On Sound, Jan 1989
In this age of the preset, you need all the help available to stamp your personality on the sounds you produce. Paul Ireson finds a new ally in the fight for individuality - ART's fully programmable, four-effects-at-once signal processor.
Review | Music Technology, Jun 1992
In their efforts to establish their signal processors as strongly in the UK as they have in the States, ART can't seem to bring out enough effects units. Nigel Lord evaluates the ART with aspirations to be number one.
Review | Music Technology, Nov 1989
Taking the Multiverb as their starting point, ART have a new multi-effects processor with which to enhance your music. Ian Waugh says the verb is "to want".
Review | Music Technology, Aug 1990
ART Multi-fx Processor
As even the most modest MIDI studio becomes a powerful tool for the creation and recording of music, sound processing becomes a more essential part of it. Tim Goodyer checks out ART's latest multi-fx processor.
Review | Music Technology, Jul 1992
ART's ever-expanding range of signal processors is intended to cater for musicians of all styles and financial means. Nicholas Rowland test drives a new effects unit whose price belies its power.
Review | Music Technology, Dec 1989
Multi FX Processor
With multi-fx processors appearing faster than dissenting conservative back-benchers, the pressure is on to come up with something different. Simon Trask investigates a processor that uses analogue circuitry for its unique character.
Review | Sound On Sound, Oct 1989
Multi Effects Processor
David Mellor samples the delights of a multiple effects unit that can create up to nine high quality effects at the same time.
Review | Micro Music, Jan 1990
Jez Ford is seriously effected by Digitech's latest signal processor - the DSP-128
Review | Music Technology, May 1989
Digital Multi-effects Processor
In the multi-effects processor wars, Digitech's DSP 128 Plus distinguishes itself with comprehensive facilities and little sound colouration. Ian Waugh treats himself.
Review | Sound On Sound, Apr 1989
Multi-Simultaneous Effects Processor
Hot on the heels of the Multiverb and Quadraverb comes Digitech's contender for the title of best 'four effects at once' signal processor. Paul Ireson checks out the form.
Review | Music Technology, Oct 1992
Parallel Effects Processor
Just four effect
Review | Electronic Soundmaker, Feb 1985
The engineers' dream? A dual effects unit for the price of one - the 2FX.
Review | Music Technology, Jul 1989
Performance Signal Processor
Now that multi-effects processors are all the rage, Korg go one better by producing a unit which allows you to add extra effects via ROM cards. Vic Lennard discovers the advantages of open-ended signal processing.
Review | Music Technology, Dec 1988
and MRC MIDI Remote Control
The 'Lexicon sound" for a less than Lexicon price? Matt Isaacson checks out a state-of-the-art reverb unit intended to help make Lexicon a household name.
Review | Music Technology, Jan 1990
Their LXP1 brought luxury reverb within reach of home studios, now Lexicon's LXP5 offers a variety of new effects to the studio on a budget. Robert Rich reads the lexicon of fx.
Review | Music Technology, Jun 1993
MIDI FX Controller
Programming Lexicon FX units has never been easier, thanks to this upgraded version of their remote control. And what do you know? Nicholas Rowland, not Top Cat, is the most effectual. Lexicon’s LXP-5 FX module gets the one-over too
Review | Sound On Sound, Dec 1989
Lexicon LXP5 Multi-Effects Processor
Following the release of their acclaimed 'budget' LXP1 reverb, Lexicon have extended their presence in the affordable digital effects market with the LXP5 multi-effects unit. Dave Lockwood feels the quality.