Review | In Tune, May 1986
Review | Sound On Sound, Mar 1988
David Hughes tries out three new low-cost companions to the Alesis Microverb - the Micro Enhancer, Micro Gate, and Micro Limiter. Are they the Accessit range of the Eighties?
Review | Home & Studio Recording, Apr 1984
Review | Making Music, Jul 1986
Review | Sound On Sound, Dec 1985
EXCLUSIVE: Paul Gilby examines the very latest American audio invention for removing cotton wool from your ears!
Review | Music Technology, Mar 1987
Geoff Levin tries the latest word in psychoacoustic enhancement, and finds it involves analysing the entire frequency spectrum, then time-aligning parts of it. What do the results sound like in the studio?
Review | Sound On Sound, Apr 1991
Does BBE's new box of psychoacoustic tricks offer a new way of livening up a mix? David Mellor takes his music to the max.
Review | Sound On Sound, Jul 1990
There's not a MIDI socket in sight on this range of German studio units. They are simply good solid audio processors. Dave Lockwood checks them out.
Review | Home & Studio Recording, Mar 1989
This subharmonic synthesiser promises to do for your bottom end what an aural exciter does for your top.
Review | Music Technology, Jan 1994
When you hear the beat go boom and you feel it in the pit of your stomach, look out for this black magic box
Review | Recording Musician, Sep 1992
Aphex Type C, BBE Sonic Maximizer, SPL Vitalizer
Three psychoacoustic enhancers, all designed to make your music sound bigger, clearer and more impressive.
Review | Recording Musician, Jan 1993
Aphex Aural Exciter Type C2
Aural Excitement complete with the new 'Big Bottom' bass enhancer. A veritable feast of sonic titillation.
Review | Sound On Sound, Jan 1987
It took the importing enterprise of Audio Services to bring us a new range of well-priced effect units from Dutch company IQ Systems. Sound engineer Gareth Stuart checks out two of the range: the dual noise gate, and stereo clarifier - a psychoacoustic sound enhancer.
Review | Home & Studio Recording, Aug 1984