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Gear

A Nice Pair

Review | Sound On Sound, Feb 1987
Beyer microphones

Want to know how the electret principle functions? Or the difference between pressure and pressure-gradient microphones? Then read the review, as recording engineer Gareth Stuart field tests the most recent additions to the famous Beyer range.

All Round Sound

Review | Recording Musician, Oct 1992
AKG Tri-Power Microphones

A new range of stylish dynamic microphones, with models to suit most instrumental applications.

Beyer M400 and M69 Microphones

Review | Home & Studio Recording, Sep 1984

Beyer Soundstar Mk II and M260 N(C)S

Review | Electronics & Music Maker, Jan 1982

Sennheiser Microphones

Review | Home & Studio Recording, Jul 1984

Shure Beta Microphones

Review | Sound On Sound, Mar 1990

Shure’s SM58 and SM57 microphones are recognised industry standards. Although many rival manufacturers have tried to improve on these classics, all have seemingly failed. Now Shure themselves are attempting to go one better with their recently introduced Beta models. Dave Lockwood sees how they fare in comparison.

Three of a Kind

Review | Recording Musician, Aug 1992
AKG, Beyer, Sennheiser Back-Electret Microphones

Three top name, back-electret mics that turn in a professional performance at a semi-pro price, rounded up by Paul White.

 

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