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 A Nice PairReview | Sound On Sound, Feb 1987Beyer microphonesWant to know how the electret principle functions? Or the difference between pressure and pressure-gradient microphones? Then read the review, as recording engineer Gareth Stuart field tests the most recent additions to the famous Beyer range. |
 All Round SoundReview | Recording Musician, Oct 1992AKG Tri-Power MicrophonesA new range of stylish dynamic microphones, with models to suit most instrumental applications. |
 Beyer M400 and M69 MicrophonesReview | Home & Studio Recording, Sep 1984 |
 Beyer Soundstar Mk II and M260 N(C)SReview | Electronics & Music Maker, Jan 1982 |
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 Sennheiser MicrophonesReview | International Musician, Jan 1985MikecheckCurtis Schwartz checks over three of the new Sennheiser range and is pleasantly surprised |
 Sennheiser MicrophonesReview | Home & Studio Recording, Jul 1984 |
 Shure Beta MicrophonesReview | Sound On Sound, Mar 1990Shure’s SM58 and SM57 microphones are recognised industry standards. Although many rival manufacturers have tried to improve on these classics, all have seemingly failed. Now Shure themselves are attempting to go one better with their recently introduced Beta models. Dave Lockwood sees how they fare in comparison. |
 Three of a KindReview | Recording Musician, Aug 1992AKG, Beyer, Sennheiser Back-Electret MicrophonesThree top name, back-electret mics that turn in a professional performance at a semi-pro price, rounded up by Paul White. |
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