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Music Technology - April 1987

Quality of Life
Editorial

As the world and his wife gets hot under the collar about affordable 16-bit sampling, we wonder if the increase in sound quality is necessary at all.

This article has no OCR bodytext.Newsdesk
News

Now that show fever has died down, time to catch up on some of the novelties that weren't being exhibited at the winter trade fairs.

This article has no OCR bodytext.Communique
Feedback

MT readers give their views a thorough airing, and nobody in the music business is safe - least of all MT itself.

This article has no OCR bodytext.Interface
Feedback

Another selection of readers' technical queries, answered by MT's resident team of agony aunts.

Audio-Optics QED
Review

Infra-Red Guitar Pickup

It sounds like sci-fi, but someday, all guitar pickups may work by sensing shadows along the frets with an infrared detector. Rick Davies again.

Kawai K5 Synthesiser
Review

Real-time additive synthesis at an affordable price will become a reality when the KS hits the shops later this year. Rick Davies previews Kawai's best yet.

Yamaha TX81Z FM Module
Review

"Son of FB01" is one way to describe Yamaha's latest FM module, which adds programmability and a number of the features given to the new DX7. Martin Mickleburgh keeps it in the family.

Istanbul Music Expo
Show Report

For the first time, a UK magazine gives coverage to the fair that follows NAMM and Frankfurt. It may not be as big, but it's growing in importance all the time. Dan Goldstein reports from the Bosphorus.

State of Play
Interview

As film music becomes a more popular means for composers to earn a living, Tim Goodyer talks to soundtrack expert Steve Parsons about his work on the new British film, 'Empire State'.

Yamaha RX5
Review

Programmable Digital Drum Machine

Is it worth spending nearly a grand on a non-sampling digital beat-box in 1987? Trevor Gilchrist, after testing the RX5, comes to the inevitable conclusion that it is.

We Can't Go On... - Part 1
Feature

...Beating like this. We start a major new series on how to make your drum machine - no matter what its spec - sound more interesting, both sonically and rhythmically. Your guides are Chris Meyer and Matt Isaacson.

The Sound of Success
Interview

Still in his early 30s, yet a man who's worked with The Police, Genesis, Bowie and McCartney, Padgham is one of the most successful young producers in the world. Paul Tingen coaxes him into revealing a few secrets.

Eighth Wonder
Retrospective (Gear)

Of all the instruments that became popular in the heyday of the "big synth" a few years back, Roland's Jupiter 8 has stood the test of time the best. Tim Goodyer, a self-confessed JP8 addict, explains why.

Dumping Grounds - Part 1
Feature

The start of another series, in which Chris Meyer reveals just how useful the new MIDI Sample Dump Standard can be in everyday applications.

Roland GM70
Review

Guitar-to-MIDI Converter

Paul White, who's owned almost every Roland guitar synth built, puts the new GK1 synth driver and GM70 "brain" under test. Is this the first pitch-to-MIDI system that really works?

Oberheim Prommer
Feature

Chris Meyer takes an in-depth look at Oberheim's EPROM burner and reader, and considers its renewed significance in the light of continually evolving MIDI applications.

Music Madness
Interview

Is hip hop an unending stream of monotonous, empty rhythms, or the brightest star in the use of modern musical technology? Tim Goodyer cross-questions MC Tee and DJ Mantronik.

Korg DRV2000
Review

Programmable MIDI Reverb

In the first of two appraisals of digital reverb units that offer real-time control of parameters via MIDI, Rick Davies analyses Korg's affordable approach...

In The Heart Of The Country
Feature

The Wool Hall

If you earn a fortune in royalties from record sales and you want your own recording studio, what do you do? If you're Tears For Fears, you build The Wool Hall. Paul Tingen reports.

ART DR1
Review

Programmable Digital Reverb

...While Simon Trask gets to grips with a more expensive model from America, with more parameters, a remote-control unit, and various other goodies; is it worth the extra?

Patchwork
Feature

Another crop of readers' own synth sounds. This month's featured instruments: the original DX7, the Casio CZ, the Ensoniq ESQ1 and the venerable Korg MS20 monosynth.

This article has no OCR bodytext.Mission Impossible
Competition

Match reverb parameters up with the way you'd like to control them from a keyboard, and you could win a Korg DRV2000 - the digital reverb that makes MIDI performance control affordable.

Canned Music
Interview

Dan Goldstein talks to the Can founder member whose current interests include providing the Pope with a backing band, recording with four valve tape machines, and chopping-up bits of Bulgarian folk music.

Music Technology - Copyright: Music Maker Publications (UK), Future Publishing.

 

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