Sound On Sound - January 1986
|
|
Another chance to do some crystal gazing at product development in the music/recording/visual fields. |
Editing, Looping & Splicing.Keyboard programmer Paul Wiffen moves on to the process of manipulating the sample in this series designed to help make the best use of your sampling machine. |
Where do you go to learn more about the subjects covered in this magazine? The answer is the Gateway School of Recording & Music Technology. Ralph Denyer investigates. |
Linn SequencerFrom the creators of the first digital drum machine comes the world's most powerful MIDI controller - the new Linn Sequencer. Mark Jenkins believes it could well cause a lot of us to re-think the way we record. |
Part 2 sees Roland's SBX-80 Sync Box and SRV-2000 Reverb jump into action as Paul Gilby explains the practicalities of creative mixing with MIDI controlled effects. |
Flying in the face of fashion, Oberheim's new Matrix-6 polysynth utilises traditional analogue voicing and offers some of the most powerful and versatile sounds around. Keyboards man Paul Wiffen checks out its pedigree. |
Vesta Kozo's latest offering is a MIDI to CV conversion box, the MDI-1, primarily designed to allow control of that company's rack-mount sampler from a MIDI keyboard, though its usefulness doesn't have to end there - as Ian Gilby discovered. |
Continuing the tradition that began with their 144 Portastudio, Tascam have created a combined package of mixer and 8-track recorder - the 388 Studio 8 - whose compact dimensions belie its true versatility. Dave Lockwood assesses its performance. |
Nik KershawAs well as writing, singing and playing on his new single 'When A Heart Beats', Nik Kershaw also took the credit for its production. In an interview with Nick Webb he displays a rarely seen side of his character and discusses his knowledge of recording studio technology and approach to songwriting. |
Who says you can't use those hi-fi DIN cables to connect all your MIDI gear together? This month, Jay Chapman takes a logical look at the hardware side of the Musical Instrument Digital Interface. |
Whilst the race is on to MIDIfy every effect under the sun, Korg suddenly leap ahead of the rest with their DVP-1. Ian Gilby delivers an exclusive preview of this unique rack-mounting device that combines a vocoder, harmoniser and pitch transposer with MIDI control. |
If you can't quite afford a lot of today's equipment but long to use it, you could always hire it. Here we present a rundown of the many UK hire companies and look at what's involved. |
Yamaha DX21Synthesist Ian Boddy casts an eager eye over Yamaha's low-cost DX21 polysynth and discovers some little publicised aspects of its performance... |
Widen your horizons by entering our competition to win the new XT:c stereo digital reverb from Alesis. |
Software for Commodore 64The addition of a MIDI module allows this software package for the Commodore computer to control external synthesizers amongst other things. Ian Waugh reports. |
So You Want To Be A Screen Music Writer?Producer/composer Robin Lumley continues this series designed to take the mystery out of writing and recording music for film and television. |
The revolutionary Video 8 format has resulted in a new generation of domestic video recorders that offer high quality pictures and up to 6 tracks and 18 hours of stereo digital sound. Francis Rumsey explains how. |
Paul Gilby outlines JVC's AV Graphic Synthesizer which has some rather novel ways of representing music in a visual sense. |
Information, news, gossip and views. |