What do you do when your 12-bit Akai S900 sampler starts to seem a little underspecified in comparison with the latest models? Upgrade it with a '16-bit injection' from Marion Systems. David Mellor reports.
As more musicians finally begin to wake up to the benefits of using a dedicated master keyboard, Paul Ireson checks out two recent examples from Orla, the DMK7 and DMK8.
Following on from last month's preview, Paul Ireson provides a thorough rundown of this easy-to-use, 32-track, pattern-based sequencer for the Atari ST.
So far, affordable 16-track has been a one horse race and all the money has been on Fostex. But now the odds are getting more interesting as a lively young thoroughbred from the Tascam stable enters the starting stalls. David Mellor assesses the form.
Digidesign continue to add to their innovative range of synthesis programs which use the flexibility of computers for sound creation and the hardware of MIDI samplers to replay the sounds. Paul Wiffen finds he loves the former but hates the latter.
Remove the sequencing facilities from your drum machine and what do you get? A damned good idea for a new product that's what! Paul Ireson checks out Akai's 16-bit sampled drum box - the perfect companion for your sequencer.
Since introducing the world to the delights of pure synth-pop in 1981, Vince Clarke has continued to demonstrate his mastery of the popular song form through the medium of synth technology. Paul Ireson investigates.
It has been predicted that by the year 2020, the world will be entirely covered by a ten metre deep layer of home recording equipment. David Mellor begins a new series that offers advice on how to set up your home studio.
Whilst Roland and Yamaha take LA and FM synthesis into the home, Technics make it even harder to differentiate between a home keyboard and a synthesizer with the release of the AX7. Paul Ireson checks it out.
Jay Chapman sinks his teeth into one of the most complex and sophisticated scorewriting and sequencing programs on the market - Jim Miller's Personal Composer for PC compatible computers.
Regular contributor Martin Russ climbs onto the soapbox this month with a plea to use our ears!
Sound On Sound - Copyright: SOS Publications Ltd. The contents of this magazine are re-published here with the kind permission of SOS Publications Ltd.
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