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Roland PAD80 Octapad IIReview | Music Technology, Sep 1988MIDI Pad ControllerRoland's follow-up to their successful Pad8 Octapad features expanded memory and enhanced programmability. Simon Trask hits it off with Roland's new percussion controller. |
Klassisk Cut-UpInterview | Music Technology, Apr 1989Outcast by the classical fraternity in his native Sweden, Stig Miölssön has come to Britain in search of acceptance for his revolutionary ideas. Tim Goodyer learns about cut-up classics. |
Kurzweil 1000HX & 1000SXReview | Music Technology, Aug 1988Sample ExpandersFor those without the time or the inclination to sample come two expanders dedicated to sampled horns and strings. Simon Trask finds out if Kurzweil's dedication has paid dividends. |
Oberheim Matrix 1000Review | Music Technology, Aug 1988Synth ExpanderThe latest addition to Oberheim's classic Matrix range offers 1000 analogue-style synth sounds for under £500. Simon Trask investigates the attraction of analogue in '88. |
DigiTech IPS33 SmartShiftReview | Music Technology, Jul 1989Intelligent Pitch ShifterMost pitch shifters wouldn't know their A minor from their E major, but DigiTech's IPS33 knows a thing or two about playing in key. Simon Trask finds himself in harmony with the Intelligent Pitch Shifter. |
Roland A50 & A80Review | Music Technology, Jun 1989MIDI Keyboard ControllersAs MIDI equipment becomes more and more sophisticated, the job of a MIDI controller keyboard becomes more and more demanding. Simon Trask takes the A train with Roland's latest MIDI controllers. |
Commercial GainInterview | Music Technology, Feb 1990Take two classically trained musicians, a studio full of hi-tech gear and a will to survive in the commercial world of music and you've got WBTM Music. Claire O'Brien learns how to be a musician and eat. |
Frankfurt Show ReportShow Report | Home & Studio Recording, Mar 1989All that was new and all that was interesting at the this year's sojourn into Germany. |
Art of GlassFeature | Topic: Sampling | Music Technology, Oct 1988If you're short of a new source of samples you could do worse than to turn to the glass (not the bottle). Tom McLaughlin explains how a wine glass can provide a wide variety of unusual tone colours. |
Oberheim CycloneReview | Music Technology, Mar 1989MIDI Performance EffectThe arpeggiator is still regarded by many as "the poor man's sequencer", but Oberheim may be about to change that with a small grey box called Cyclone. Simon Trask blows hot and cold. |
Roland D20Review | Music Technology, Oct 1988LA SynthesiserRoland's latest keyboard combines two currently important concepts: the workstation and the company's own Linear Arithmetic synthesis. Simon Trask test drives the "multi-timbral linear synthesiser muhitrack sequencer". |
LA GearInterview | Music Technology, Oct 1989From his remixes of dance music through his record releases with LA Mix, Les Adams has specialised in making a lot out of a little equipment. His latest project is a solo LP, as Simon Trask finds out. |
Ensoniq EPSReview | Music Technology, Oct 1988Performance SamplerIt's been a while in the pipeline but Ensoniq's successor to their popular Mirage sampler is up and running. Simon Trask checks out the latest "peoples' sampler". |
Akai S1000Review | Music Technology, Dec 1988Digital SamplerFollowing in the footsteps of their successful S900 sampler, Akai's new baby looks likely to set new standards in sampling hardware. Simon Trask's thrilled to bits. |
Roland R8Review | Music Technology, Feb 1989Human Rhythm ComposerSince the days of the TR808, Roland have set standards for many other drum machines; now they're concentrating on the human angle. Simon Trask tests the "Human Rhythm Composer". |
Seeing DoubleInterview | Music Technology, Sep 1990Meeting the music business and business of making music on their own terms saw one London band building a studio as well as a reputation from the ground up. Simon Trask gets in deep with Double Trouble. |
Pushing The BeatInterview | Music Technology, Dec 1990Once he prayed to the beat behind Re-flex, he's since become versed in high technology and worked with artists as diverse as Kate Bush and Mory Kante. Ollie Crooke talks to a rhythm programmer extraordinaire. |
Age of ChanceInterview | Music Technology, Jun 1990Abandoning guitars for samplers, Skin became Fluke and discovered new artistic freedom. Simon Trask listens to the man/machine argument from people who've learned both sides of it. |
MIDIsoft StudioReview | Music Technology, Nov 1988Software for the Atari STThis new Atari ST sequencing software package from America combines affordability with flexibility. Simon Trask applies the soft touch. |
The MechanicInterview | Music Technology, Jul 1990In engineering and production - as in musicianship - flexibility and adaptability are precious qualities. Martin Rex has covered artists as varied as Neneh Cherry, Fela Kuti and Michael Nyman - Ollie Crooke listens. |
Oberheim Systemizer MIDI Performance EffectReview | Music Technology, Apr 1989If your master keyboard is not living up to its name, Oberheim's Systemizer may provide it with the MIDI performance features you need. Simon Trask gets into the system. |
ART SGEReview | Music Technology, Dec 1989Multi FX ProcessorWith multi-fx processors appearing faster than dissenting conservative back-benchers, the pressure is on to come up with something different. Simon Trask investigates a processor that uses analogue circuitry for its unique character. |
The PioneerInterview | Music Technology, May 1990From artistic oppression under Stalin to contributing to Stanley Kubrick's 2001: A Space Odyssey, György Ligeti has remained a true music pioneer. Simon Trask talks to a musical legend. |
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