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 ART Multiverb IIIReview | Music Technology, Aug 1990ART Multi-fx ProcessorAs even the most modest MIDI studio becomes a powerful tool for the creation and recording of music, sound processing becomes a more essential part of it. Tim Goodyer checks out ART's latest multi-fx processor. |
 Casio RapmanReview | Music Technology, Oct 1991Personal Music SystemCasio's curious Rapman is already regarded as a toy by many a music cynic - but it's captivated pros like Manu Katche and Peter Gabriel. Tom Robinson reviews it - and buys it. |
 Roland SPD8Review | Music Technology, Dec 1990Total Percussion PadOn the trail of Roland's successful Octapads comes the SPD8 - a MIDI percussion controller with a neat line in onboard sounds. Simon Trask says beat it. |
 E-MU Systems Pro/cussionReview | Music Technology, Oct 1991Maximum Percussion ModuleHaving set standards with their Proteus sample reader and their Pro/formance piano module. E-mu are trying again. Simon Trask beats up the new Pro/cussion drum expander. |
 Oberheim DrummerReview | Music Technology, Sep 1991Interactive Drum Pattern SequencerIf your drum patterns sound uninspired it could be because you lack the subtle touch of the human drummer. Simon Trask looks at an electronic aid to drum programming. |
 Cheetah SX16Review | Music Technology, Aug 1990Sampling ModuleAfter much pre-publicity, Cheetah's first venture into the world of samplers is here. It's 16-bit stereo, reads S900 disks and is reviewed by Vic Lennard. |
 Korg WavestationReview | Music Technology, Sep 1990Advanced Vector SynthesiserIn their days at the top, Sequential pioneered an exciting form of sound generation called Vector Synthesis. Simon Trask witnesses its revival in Korg's Wavestation. |
 Roland D70Review | Music Technology, Aug 1990Super LA SynthesiserThe latest addition to Roland's D-series synths is its new flagship - the D70. Simon Trask puts the "Super LA" synth through its paces and discovers its new Analogue Feel facility. |
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