Macintosh Notation Software

Desktop music publishing becomes a serious proposition with this sophisticated notation software for the Apple Mac. Dan Goldstein notates his way around the dots.

A new prestige keyboard line-up that fuses traditional modular synthesis concepts with the latest interface technology. The complete system surveyed by Dan Goldstein.

Synthesiser

A versatile mono/poly combination keyboard from the Siel stable comes under examination.

In a career spanning nearly 20 years, Gabriel has done everything from fronting Britain's best-known pomp rock band to manipulating ethnic music using modern technology. Dan Goldstein talks to a man of many talents.

Yamaha's classic CS80 makes a welcome appearance alongside the CZ101, Bit 99 and DW6000, and more ROMs for the DX7 complete this month's selection of readers' sounds.

A ten preset voice electronic piano with touch sensitive keyboard and separate bass section.

An interview with Rusty Egan

Dan Goldstein tracks down another drummer-turned-musical technofreak, Rusty Egan, and finds out about the past, present, and the future of the electro-dance band he helped found, Visage.

The Japanese fight back in the battle to design cheap digital reverb, with an all-preset rack-mounting machine for under £350. Don Goldstein has the details.

Seven years old and still going strong, Ultravox discuss writing, recording and performing with Dan Goldstein. They also explain why they've got four OSCars...

The case for education?

This month sees the launch of The Music Technology Magazine, E&MM's American counterpart, and the departure of stalwart advertising manager Tony Halliday.

A little-known American drummer who played on such classic recordings as 'Rappers' Delight' and 'The Message' talks to Dan Goldstein about "stretching" technology.

In which the man behind the mask - Frank Tovey - explains his attitudes to playing, writing, and recording his own particular brand of idiosyncratic electronic music.

with The Cocteau Twins

Few of today's bands can confidently claim to have a sound that is unique, but Scotland's Cocteau Twins are one such outfit, and Dan Goldstein has been talking to them about how that sound is achieved.

AES Report

Dan Goldstein and Paul Wiffen go down and out in Beverly Hills - and drop in on America's biggest recording convention along the way. Within its walls, a quiet revolution is taking place...

We highlight three recording studios that place the emphasis on music hardware rather than expensive recording equipment: in order of price, East London Community Studio, Hollow Sun, and Computer Music Studios.

Take one of the most influential electronic composers of the current generation, a Fairlight, an entire library of vocal recordings from all over the world, and a few more-than-talented guest musicians, and you have the recipe for Zoolook, Jean-Michel Jarre's latest album. Here he talks about its creation.

Don Goldstein talks to American composer Harold Budd about his past collaborations with such luminaries as Brian Eno and Michael Nyman and, more recently, the Cocteau Twins.

Orinoco Studio

Another studio receives a visit from a roving MT reporter. This time the intrepid Dan Goldstein drops in on South East London's Orinoco Studios.

Rhythm Composer and Digital Keyboard Recorder

A matching analogue/digital drum-machine and digital keyboard recorder come under the gaze of Dan Goldstein and Geoff Twigg.

Seminal German avant garde composer Hans-Joachim Roedelius was in London recently to promote a new solo album, 'Gift of the Moment'. Dan Goldstein was granted a brief audience.

Why doesn't Britain, home of so much that is good in modern music, have a central institute for music technology development?

This exciting six voice polyphonic synth comes under scrutiny.

There seems no end to the creativity of New York performance artist Laurie Anderson. In an exclusive interview, she talks about her music, her lyrics, and life as a 'Diva' for artist Jean-Michel Jarre.

Fairs are great for demonstrating technology, but do they do enough to further the cause of music?