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Video 8: Not Just A Pretty Picture

Feature | Topic: Tape, Vinyl, CD, DAT, Video / Film / Picture | Sound On Sound, Jan 1986

The revolutionary Video 8 format has resulted in a new generation of domestic video recorders that offer high quality pictures and up to 6 tracks and 18 hours of stereo digital sound. Francis Rumsey explains how.

Using Timecodes - Part 1

Feature Series | Topic: Syncronisation | Sound On Sound, Feb 1986
An Introduction To Timecode Synchronisation

The release of the new Fostex synchronisers reinforces the importance of timecode in today's recording process. So, to help you familiarise yourself with their applications, Francis Rumsey begins a new series that should tell you all you need to know about timecodes.

Using Timecodes - Part 2

Feature Series | Topic: Syncronisation | Sound On Sound, Mar 1986
Timecode Synchronisation With Video

Part 2 of our series finds Francis Rumsey exploring timecode standards and the use of timecode with video.

Using Timecodes - Part 3

Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Apr 1986

Tonmeister Course lecturer, Francis Rumsey, explains how timecodes are used to synchronise audio to video in Part 3 of our series.

Using Timecodes - Part 4

Feature Series | Topic: Syncronisation | Sound On Sound, May 1986
Tying It All Together

Part 4: Francis Rumsey ties up the loose ends of his series on the synchronisation of audio tracks to video, with a rundown of what to look for when buying a synchroniser system.

Time To Get In-Sync

Review | Sound On Sound, May 1986
Fostex Synchroniser & Sync Controller

Having familiarised you hopefully with the jargon and workings of synchronisers through his 'Using Timecodes' series, Francis Rumsey now turns his critical eye to the most affordable synchroniser/controller set-up available: the Model 4030/4035 from Fostex.

Using Timecodes - Part 5

Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Jun 1986

In the final part of his series on the synchronisation of audio and video, Francis Rumsey summarises the possible applications of timecodes in helping to automate the music studio.

 

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