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Review | Music Technology, Dec 1989
While the keyboard player, horn player and guitarist have enjoyed the benefits of the MIDI revolution, the humble bassist has been sadly neglected. Ollie Crooke gets down to (MIDI) basics.
The Performing Art - Part 1
Feature | Topic: MIDI, Performing | Music Technology, Feb 1990
One of the consequences of MIDI recording is the loss of musical performance. In the first of a short series, Ollie Crooke and Simon Thomas look at the performance applications of MIDI controllers.
The Performing Art - Part 2
Feature | Topic: MIDI, Performing | Music Technology, Mar 1990
Part two of this series on combining live instrument performances and MIDI recording looks at a typical session in the studio of Ollie Crooke and Simon Thomas.
The Performing Art - Part 3
Feature | Topic: MIDI, Performing | Music Technology, Apr 1990
A synth is only as good as its sounds - and that goes for any synth controller too - sax, violin, guitar... Ollie Crooke And Simon Thomas look at sound programming for MIDI controllers.
Interview | Music Technology, Jul 1990
In engineering and production - as in musicianship - flexibility and adaptability are precious qualities. Martin Rex has covered artists as varied as Neneh Cherry, Fela Kuti and Michael Nyman - Ollie Crooke listens.
Interview | Music Technology, Dec 1990
Once he prayed to the beat behind Re-flex, he's since become versed in high technology and worked with artists as diverse as Kate Bush and Mory Kante. Ollie Crooke talks to a rhythm programmer extraordinaire.