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Alesis Microverb

Review | Music Technology, Dec 1986

Take the successful MIDIverb, remove the MIDI bit, reduce the number of programs to 16, and you've got the cheapest digital reverb in the world. Paul White lends it an ear.

AMS RMX-16 Digital Reverb

Review | Home & Studio Recording, Mar 1984
Processor

Tama Techstar Electronic Drums

Review | Electronics & Music Maker, Oct 1984

Tama are the first acoustic percussion manufacturer to enter the electronic arena: Paul White tested the first example in the country to see if the Japanese could make something more than a Simmons copy.

Sessionmaster Guitar Preamp

Review | Recording Musician, Jul 1992

Instant rock guitar without all the hassle of amps and microphones.

ACES 12-4-2 Mixer

Review | Home & Studio Recording, Apr 1984

Retro Rocker

Review | Recording Musician, Sep 1992
Shure 55SH Series II Classic Dynamic Mic

It might look like a prop from Good Morning Vietnam, but underneath the 55SH is a serious vocal mic.

All Round Sound

Review | Recording Musician, Oct 1992
AKG Tri-Power Microphones

A new range of stylish dynamic microphones, with models to suit most instrumental applications.

Electronic Projects for Guitar

Review | Recording Musician, Nov 1992

Sound Bites

Feedback | Recording Musician, Jan 1993
Handy Recording Tips & Techniques

A useful selection of technical information and tricks of the trade — a masterclass in miniature!

The Box Soundstage Monitor

Review | Recording Musician, Feb 1993

Burkz Hyper-Tube Valve-Emulating Studio Cable

Review | Recording Musician, Apr 1993

4 Channel Attenuator Project

Feature | Topic: Electronics / Build | Home & Studio Recording, Jun 1984

A simple-to-build project that lets you match the recording levels of your mixer and multitrack tape recorder.

Phantom Power Supply

Feature | Topic: Electronics / Build | Home & Studio Recording, Oct 1984

A simple-to-build and inexpensive design capable of powering up to 200 microphones!

Fostex 160 Multitracker

Review | Music Technology, Dec 1986
Four-track Cassette Recorder

A new mid-price four-track machine from the people Tascam love to hate. Paul White finds it to be elegant, well designed, and startlingly good value.

Roland DEP-3

Review | Home & Studio Recording, May 1987
Digital Effects Processor

Reverb and delay from Roland in the guise of the DEP-3, a scaled down version of the popular DEP-5.

Frazer Wyatt Speakers

Review | Electronics & Music Maker, Oct 1984

Almost every keyboard exhibitor at the British Music Fair was using these British-designed and built speakers to play their products through. Paul White tries to find out why.

Steal The Feel - Part 1

Feature | Topic: Drum Programming, Mixing | Recording Musician, Jul 1992

A straightforward guide to producing Dance Mixes using budget equipment.

NSF Reverb Plate

Review | Home & Studio Recording, May 1984

Multitrack Recorders

Feature | Topic: Recording | Recording Musician, Sep 1992

The underlying concepts of multitrack recording are explained from the bottom up.

Floor Show

Review | Recording Musician, Oct 1992
Boss ME10 Multi-Effects Unit

Designed with live performance in mind, the Boss ME10 has a range of features which make it particularly effective in the studio.

Leader

Editorial | Recording Musician, Dec 1992

Mixer Basics

Feature | Topic: Mixing | Recording Musician, Jan 1993

A step-by-step guide to the workings of a typical mixing console.

ARX DI-6S DI Box/Splitter/Line Mixer

Review | Recording Musician, Feb 1993

Multitrack Mixers - Part 3

Feature | Topic: Mixing | Recording Musician, Apr 1993
The Master Section

This month we scrutinise the master section of a typical multitrack mixing console and ponder the meaning of PFL, talkback and that small grey button that goes "neep neep".

Drawmer DS201 Dual Gate

Review | Home & Studio Recording, Jul 1984

 

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