Review | Sound On Sound, Jan 1987
Hybrid Technology's Music 500 synthesizer for the BBC B micro gains a '0' and a whole host of new features. Phil South states the facts and wonders why more musicians don't know about the power of this system.
Review | Sound On Sound, Jun 1987
Phil South discovers that room simulation is not incurable these days, thanks in part to this latest combined digital reverb and multi-effects processor from Korg.
Review | Sound On Sound, Jul 1987
When it comes to the MIDIVERB II, Phil South discovers that sequels can sometimes be better than the originals!
It's Cee Zee! - Part 1
Feature | Topic: Synthesis & Sound Design | Sound On Sound, Jul 1987
In Part One of this two-part Programmer's Guide to the Casio CZ range of synthesizers, Phil South maps out the territory beyond the factory presets.
It's Cee Zee - Part 2
Feature | Topic: Synthesis & Sound Design | Sound On Sound, Aug 1987
Part Two of our two-part Programmer's Guide To The Casio CZ range of synthesizers catches Phil South explaining the nuts and bolts of sound modification, with tips and hints on how to approach the creation of your own PD sounds.
Feature | Topic: Computing | Sound On Sound, Jan 1989
The Commodore Amiga range of computers have been conspicuous by their absence from this magazine's pages - but not any more! The Amiga has always been a great graphics machine, but it is equally talented when it comes to making music. In fact, its onboard sound chip is one of the best around. Phil South delivers a quick guide to making music on the Amiga.
Review | Sound On Sound, Oct 1989
The most talked about Amiga software ever is finally in the shops. Was Microillusion's program worth the wait? Phil South waxes lyrical about the first professional integrated music sequencing and editing program to take full advantage of the Commodore Amiga's powerful multitasking features.
Feature | Topic: Synthesis & Sound Design | Sound On Sound, Apr 1990
Phil South examines the ins and outs of programming various aspects of AI synthesis, as used in Korg's 'M' and 'T' ranges of synthesizers.