Starting Point (Part 6)
(EMM Sep 81)
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Starting Point (Part 5) | |
Article from Electronics & Music Maker, July 1981 | |
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This article has not been OCR'd yet - it's likely of less importance than reviews, features and interviews, and where there isn't much point in OCR'ing - competitions, readers ads, readers letters, small news items and so on. Some of this content may be OCR'd at a later date, but it's a low priority.
Series - "Starting Point"
Read the next part in this series:
All parts in this series:
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 (Viewing) | Part 6 | Part 7
More with this topic
 Studio Earthing Techniques - Interconnect (Part 1) |
 The Ins and Outs of Digital Design |
 Modify Your "Phlanger" - for Lower Noise |
 The RackPack |
 Practically MIDI (Part 1) |
 Workbench - Sounding Out |
 Frequency Divider - Turns Gnome Into "Super-Gnome" |
 Soldering On (Part 1) |
 Lab Notes: The Polyphonic Synthesizer |
 Sample & Hold Resurrection - what to do with your analog sample and hold once you've gone digital |
 Lab Notes - Computer Drums |
 An Ultra VCO From The 4720 |
Browse by Topic:
Electronics / Build
Publisher: Electronics & Music Maker - Music Maker Publications (UK), Future Publishing.
The current copyright owner/s of this content may differ from the originally published copyright notice.
More details on copyright ownership...
Electronics & Music Maker - Jul 1981
Topic:
Electronics / Build
Series:
Starting Point
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 (Viewing) | Part 6 | Part 7
Feature by Robert Penfold
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