A chance to get your own back.

What's new in the recording world.

Three new microphones make their stand and acquit themselves well.

The Gate and its Strate companion solve the great noise mystery.

This pair of powered micro-monitors from Aries pack quite a punch.

Tom's home studio is sure to be the envy of most of our readers but it's there for a sound, practical reason.

Simon Croft takes up from Steve Howell and gives his views on creative remixing.

A chance to look behind closed doors into one of our reader's studios.

Part one of a new series by Alan Hoida setting out what is involved in the making of a promotional pop video.

Another versatile addition to the ever growing Boss Micro-Rack series.

Ken Dibble checks out this pair of Urei monitors and draws some interesting conclusions.

Ashly have a fine reputation for good design and solid workmanship; this model should help them to keep it.

Simon Croft puts this British built mixer through its paces.

Those generous folk at Sound Technology have kindly donated an Alesis Midiverb. All you have to do is win it!

Janet Angus reports on Dave Foister's varied activities at the Guildhall.

Who needs a 3-track mastering machine? Fostex think you do so read all about the Model 20.

How can you write a full length feature about the humble XLR connector? Ask Ben Duncan.

Yet more speakers. Here we examine some micro monitors from Ramsa.

A simple circuit enabling you to trigger the footswitch input of your SPX-90 from a positive trigger pulse.