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Sound On Stage - April 1997

Front Man
Editorial

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Trip Around The World
Feature

MUMBAI, NÉE BOMBAY

True Brit
Feature

The Brit Awards '97

Welcome to the Machine Part 2
Feature

The Story of Pink Floyd's Live Sound | Pink Floyd

Bandstand
Feature

Redd Kross

The Venue
Feature

Bar Lorca, North London

Practical PA Part 6
Feature

Small Venue Monitoring

All together at the Albert
Feature

Ocean Colour Scene Live | Ocean Colour Scene

Once, twice, three times a mixer
Review

Studiomaster Trilogy 206 Mixer

Light Work
Review

ElectroVoice Sx200a & Sb120a Powered Speakers

Mission Impossible
Review

Fender Passport Compact PA System

Power Tool
Review

Gallien-Krueger 2000RB 1000W Bass Amplifier

Blown Away!
Review

Airtec PA1 Portable PA System

Footware
Review

Digitech RP12

Solo Fight
Review

Sabine FBX-Solo Feedback Exterminator

Fader Way
Review

Roland EQ-231 Graphic EQ

Lip Service
Feature

When, Where, and How to Mime

Sidefills
Review

Demeter MB-2 Mid-boost Fat Control, Roland DR-10 & DR-20 Microphones

A Matter of Interpretation
Feature

Understanding Specifications

Backstage
Opinion

Back to basics

Sound On Stage - SOS Publications Ltd.
The contents of this magazine are re-published here with the kind permission of SOS Publications Ltd.

 

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