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Keyed Noise Gate | |
Article from Electronic Soundmaker & Computer Music, December 1983 |
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A versatile design, by David Strange, with a host of creative studio applications.
A printed circuit board has been designed for the project and it is shown with component overlay in Fig 2. Start the construction by first inserting printed circuit pins for external connections to input/output sockets, switches etc. This having been accomplished insert the IC sockets, or if these are not used (although they are recommended) the IC's. If the IC's are directly soldered, solder just one pin until all are verified in their correct places. A good frame of reference should by now have unfolded for the positions of all the other components, which should be inserted starting with those of lowest profile such as links, resistors and diodes building up to the higher components like capacitors.
The input and output sockets etc. should be soldered to flying leads and then the leads soldered to the printed circuit board pins. The board can now be examined for building errors, and don't forget to check the printed circuit track for shorting blobs of solder. (Note C7 must be a low leakage capacitor — a polycarbonate type is specified.)
The logic IC's are at their supply voltage limit working on 18V and so two diodes, one in each rail, are used to give a 1.2V voltage reduction. The diode arrangement additionally gives protection against reversed batteries. The same diodes should also be kept if the noise gate is powered by a mains supply using 9V regulators. Capacitors C8 to C15 are used to prevent switching spikes either interfering with the logic or becoming imposed onto the audio.
For aligning and testing the prototype, a FM radio tuned to an 'all talk' station like Radio 4 was found best. Once powered up, the noise gate output should be connected to the line input of an amplifier feeding into a loudspeaker. SW1 must be in the internal position and the headphone output from the radio connected into the noise gate input. Before turning on the radio VR1 and VR3 should be wound to minimum resistance. With the radio on, VR4 can be used to set the point where the gate allows the signal, in relation to its volume, to come through.
It will be found that the gate turns off almost as soon as the signal ceases, but by increasing the resistance of VR3 the recovery time can be extended to last many seconds if required. If the turn on is too abrupt or slow VR2 can be adjusted.
When testing is complete a suitable box for the noise gate should be chosen. All controls should be easily accessible on the box and VR1 and VR4 are best as multiturn potentiometers. The noise gate is designed to operate on high level signals and so to be most effective an 0dB input is needed, however if this is not available up to 20dB of gain can be made up by adjusting VR1. The minimum turn on threshold is approximately -55dB referred to the output of IC1 being at 0dB.
Resistors | |
R1,R2,R3,R6,R7,R8 | 10k |
R4 | 100k |
R5,R14,R15 | 120k |
R9 | 100R |
R10 | 82k |
R11 | 33k |
R12,R13 | 3k3 |
R16 | 470R |
R17 | 15k |
Potentiometers | |
VR1 | 100k log |
VR2 | 5k Lin Multiturn |
VR3 | 1M Lin Multiturn |
VR4 | 20k Lin Multiturn |
Capacitors | |
C1,C2,C4 | 1u metalised layer |
C3 | 150p polystyrene |
C5,C6 | 100 nmetalised layer |
C7 | 1u polycarbonate |
C8, C9, C10, C11, C12, C13, C14, C15 | 100n disc ceramic |
Semiconductors | |
Q1 | BC337 or similar |
D1,D2,D3,D4 | 1N914 or 1N4148 |
IC1, IC2, IC6, IC7, IC8, IC9 | LF351 |
IC3, IC4 | 4011 |
IC5 | 4016 |
Miscellaneous
Battery clips for PP3, Batteries (PP3), Double pole double throw switch SW2, Single pole changeover switch SW1, PC pins, Wire, Input and output sockets, 24 SWG link wire.
Circuit Maker - Digital Equipment Protector |
Trigger Converter for the Yamaha SPX-90 |
The Transpozer (Part 1) |
Workbench - STAGE LIGHTING INTERFACE BOARDS |
![]() Using Microprocessors (Part 1) |
Magic Buttons - Touch Switch Theory |
Lab Notes - Computer Drums |
A Low Cost, Special Purpose AR Generator |
![]() Projected Developments |
Technically Speaking |
Hexadrum |
ICs for Electro-Music (Part 1) |
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Feature by David Strange
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