With some 17 solo albums to his credit, as well as two ballets, five collaborations with Jon Anderson, and film soundtracks that include 'Blade Runner' and the Oscar-winning 'Chariots Of Fire', Vangelis has continually explored the creation of musical forms via the integration of the acoustic with the electronic. Recently, he took time out to talk about his own work methods and express his views on the current technological scene. Richard Buskin asks the questions.

Vangelis Speaks

Vangelis, one of the synthesiser world's most influential figures, reveals the long-hidden facts about his approach to modern music-making. Interview by Dan Goldstein.

This one would have been called Vangelis Odyssey Papathanassiou and Keith Spencer-Allen talk to Ralph Antidisestablishmentarianism Denyer, but there wasn't room.

Mr Papathanassiou leaps off the cover and speeds headlong to page 23. Pausing merely for an intake of breath he settles in his fave armchair and reads, 'Vangelis has superb keyboard technique...' And smiles.

Michel Huygen/Neuronium

This Spanish synthesist explains the working methods and motivation behind his psychotronic musical landscapes.

European singer Ronny makes her U.K. concert debut with Warren Cann and Hans Zimmer and the trio talk about their musical adventures.

Tony Mills thinks Neuronium's curious blend of electronics, guitar-strumming, and psychedelic art could be just the thing to break the musical jelly mould in 1985. See if you agree.

Space Cadet

Electronic music is one area where independent status is the general rule. Ian Boddy is one of the UK's foremost electronic musicians, with a label he set up especially for his own releases. David Hughes gets the full story.

Pete Harris, engineer, producer and programmer talks to Paul White about working in the Zomba empire.

This French-born synthesist describes his experiences with the Synclavier and other digital instruments

Tracing past to future ventures with one of the world's keyboard greats, including: The first publication of his title music for ‘Inferno’, video and LP reviews and keyboard music to play

Vocals and electronic music in unique combination

Breaking The Silence

Brian Eno, is undoubtedly one of the most influential figures in electronic music, yet his creative energies have recently been directed into other people's music. Now, with the release of one solo and one collaborative album approaching, he gives a rare interview to Mark Prendergast.

Tony Oxley sneers commendably at commercialism in music.

Northern electronic music exponent Ian Boddy answers questions from Tim Goodyer about the recording of his new album, live performance, and music synthesis.

By ignoring the charts and treating dance music as a live phenomenon, Adamski has won himself a huge following and a chart placing. Simon Trask talks about the live applications of studio music.

One of the foremost composers of electronic film music, here he talks about his celluloid career and his more recent excursion into the world of popular music producing, and his own Danse Electronique.

Die Krupps: hi-tech and heavy

From the first all-electronic record label to the first ARS Electronica concert, Hubert Bognermayr has been one of electronic music's pioneers. David Bradwell makes the Austrian connection.

At the forefront of independent synthesis

Established as a top keyboard player in Deep Purple and Whitesnake, our interview analyses the music of his new LP ‘Before I Forget’.

He's big in Japan, massive in America, and beginning to conquer Europe with his own brand of ethereal synthesized 'mood music'. Mark Jenkins talks to the phenomenon that is Kitaro.

Neuronium — Michel Huygen