Music Technology, Mar 1987
What have David Bowie, Laurie Anderson, King Crimson, Frank Zappa and Jean-Michel Jarre got in common? They've all employed the services of Adrian Belew, one of the world's most inventive guitarists, and a man with a passion for creating new sound textures.
International Musician & Recording World, May 1975
Music Technology, Jun 1988
From his involvement in the infamous Frankie Goes To Hollywood sessions, Andy Richards has become an accomplished producer and programmer in his own right. Nicholas Rowland listens to a rationalisation of technology.
Electronic Soundmaker & Computer Music, Nov 1983
A bite of Annabel Lamb
One Two Testing, Dec 1983
Anne Dudley rearranges the alphabet.
Recording Musician, Aug 1992
An Audience With Aziz
Leading session guitarist Aziz talks to John Harris about playing, recording, and hi-tech guitar processors.
Electronics & Music Maker, Mar 1983
This French-born synthesist describes his experiences with the Synclavier and other digital instruments
Music UK, Sep 1982
U.K.'s top drummer on skins v. synths
Music Technology, Jun 1987
He was once the driving force behind Genesis, Yes and King Crimson, but now this brilliant percussionist has turned his attention to jazz - and new technology. Tim Goodyer talks to him.
Electronic Soundmaker & Computer Music, Apr 1985
Bill Nelson's been out of the public eye recently, touring America and refurbishing his studio. Now he's back and talking to us.
Electronics & Music Maker, Nov 1982
An innovative multi-instrumentalist both in and out of the studio, from Be-Bop Deluxe to 'The Love that Whirls'.
Sound On Sound, Jul 1986
Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together.
Home & Studio Recording, Dec 1984
Bill lays bare his recording techniques and reveals the innermost secrets of his home studio 'The Echo Observatory' which has recently been upgraded to 16 track status. Now being used to record tracks fora forthcoming Nelson masterpiece.
Electronic Soundmaker & Computer Music, Mar 1985
The meeting of two diverse talents and minds; Gary Numan and Bill Sharpe of Shakatak. We discover what they've been getting up to and where it will lead.
International Musician & Recording World, Apr 1975
Music Technology, Dec 1992
Calum Malcolm: Going to Caledonia
International Musician & Recording World, Mar 1975
In praise of the man and his music
Music Technology, Aug 1990
Chick Corea has helped pioneer the use of electronic instruments in jazz music - now 49 LPs down the line, he believes there's still more ground to cover. Scott Wilkinson talks to a musical legend.
Electronics & Music Maker, Mar 1983
Tangerine Dream's rhythm man describes his sequencer set-up
Music Technology, Dec 1986
His career began in punk performance, digressed into a fascination with synthesisers, and now finds him in collaboration with a classical composer. Colin Newman explains performance and musical subversion to Tim Goodyer.
Music Technology, Oct 1987
Currently enjoying the success of U2's 'The Joshua Tree' album, this French-Canadian producer talks to Paul Tingen about his hand in this, Peter Gabriel's 'So' and other projects.
Sound On Sound, Sep 1987
In the concluding part of our in-depth interview with this French-Canadian engineer/producer, Mark Prendergast discovers how Lanois recorded the 'So' album with Peter Gabriel and more about his co-production with Brian Eno of U2's 'The Joshua Tree' and 'Unforgettable Fire' LPs.
Sound On Sound, Aug 1987
Mark Prendergast interviews this French-Canadian engineer/producer about his long-standing production partnership with Brian Eno and his recent involvement with Peter Gabriel and U2.
Electronic Soundmaker & Computer Music, Jan 1985
Strangler's keyboard commandant Dave Greenfield tells us why he's Waved goodbye to his Hammond.
Electronics & Music Maker, Jan 1984
One of the foremost composers of electronic film music, here he talks about his celluloid career and his more recent excursion into the world of popular music producing, and his own Danse Electronique.