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Interviews

Adrian Belew - Tango Zebra

Music Technology, Mar 1987

What have David Bowie, Laurie Anderson, King Crimson, Frank Zappa and Jean-Michel Jarre got in common? They've all employed the services of Adrian Belew, one of the world's most inventive guitarists, and a man with a passion for creating new sound textures.

Alan Price

International Musician, Oct 1975

Portrait of the artist as a (suffering) young man

Alex Harvey

International Musician, May 1975

Alvin Lee

International Musician, Aug 1975

On Fenderising his Gibson and varying his technique

Andy Richards - Programmer's Protocol

Music Technology, Jun 1988

From his involvement in the infamous Frankie Goes To Hollywood sessions, Andy Richards has become an accomplished producer and programmer in his own right. Nicholas Rowland listens to a rationalisation of technology.

Andy Summers - Summers

One Two Testing, May 1984

A chorus line or two

Annabel Lamb - Innovators

Electronic Soundmaker, Nov 1983

A bite of Annabel Lamb

Anne Dudley - The Lexicon Of Strings

One Two Testing, Dec 1983

Anne Dudley rearranges the alphabet.

Aziz - Different Strokes

Recording Musician, Aug 1992
An Audience With Aziz

Leading session guitarist Aziz talks to John Harris about playing, recording, and hi-tech guitar processors.

Bernard Xolotl - Bernard Xolotl on Synclavier II and Music

Electronics & Music Maker, Mar 1983

This French-born synthesist describes his experiences with the Synclavier and other digital instruments

Bill Bruford - Bruford In Crimson

Music UK, Sep 1982

U.K.'s top drummer on skins v. synths

Bill Bruford - Strike That Chord

Music Technology, Jun 1987

He was once the driving force behind Genesis, Yes and King Crimson, but now this brilliant percussionist has turned his attention to jazz - and new technology. Tim Goodyer talks to him.

Bill Bruford - Showing the Flag

Electronic Soundmaker, Aug 1985
Bruford & Moraz

Dissecting an unusual fusion

Bill Nelson - Echoes From The Observatory - Part 1

Home & Studio Recording, Dec 1984

Bill lays bare his recording techniques and reveals the innermost secrets of his home studio 'The Echo Observatory' which has recently been upgraded to 16 track status. Now being used to record tracks fora forthcoming Nelson masterpiece.

Bill Nelson - A Full Nelson

Electronic Soundmaker, Apr 1985

Bill Nelson's been out of the public eye recently, touring America and refurbishing his studio. Now he's back and talking to us.

Bill Nelson - Echoes From The Observatory - Part 2

Home & Studio Recording, Jan 1985

The conclusion of our in-depth look at Bill's home 16 track studio in Yorkshire.

Bill Nelson

Electronics & Music Maker, Nov 1982

An innovative multi-instrumentalist both in and out of the studio, from Be-Bop Deluxe to 'The Love that Whirls'.

Bill Nelson

Electronics & Music Maker, Aug 1983

An in-depth interview with this multitalented musician/composer/producer who reveals the techniques used on his new LP and explains how to use the E-bow to best advantage

Bill Nelson - Getting The Holy Ghost Across

Sound On Sound, Jul 1986

Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together.

Brian May

International Musician, Apr 1975

Calum Malcolm - King Of The Castle

Music Technology, Dec 1992

Calum Malcolm: Going to Caledonia

Carlos Santana - Santana

International Musician, Mar 1975
In praise of the man and his music

Chick Corea - Corea Man

Music Technology, Aug 1990

Chick Corea has helped pioneer the use of electronic instruments in jazz music - now 49 LPs down the line, he believes there's still more ground to cover. Scott Wilkinson talks to a musical legend.

Chris Franke - Chris Franke on Sequencers

Electronics & Music Maker, Mar 1983

Tangerine Dream's rhythm man describes his sequencer set-up

Colin Newman - Newman's A to Z

Music Technology, Dec 1986

His career began in punk performance, digressed into a fascination with synthesisers, and now finds him in collaboration with a classical composer. Colin Newman explains performance and musical subversion to Tim Goodyer.

 

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