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Music Technology, Mar 1987
What have David Bowie, Laurie Anderson, King Crimson, Frank Zappa and Jean-Michel Jarre got in common? They've all employed the services of Adrian Belew, one of the world's most inventive guitarists, and a man with a passion for creating new sound textures.
Music Technology, Jun 1988
From his involvement in the infamous Frankie Goes To Hollywood sessions, Andy Richards has become an accomplished producer and programmer in his own right. Nicholas Rowland listens to a rationalisation of technology.
Electronic Soundmaker & Computer Music, Nov 1983
A bite of Annabel Lamb
Recording Musician, Aug 1992
An Audience With Aziz
Leading session guitarist Aziz talks to John Harris about playing, recording, and hi-tech guitar processors.
Music Technology, Jun 1987
He was once the driving force behind Genesis, Yes and King Crimson, but now this brilliant percussionist has turned his attention to jazz - and new technology. Tim Goodyer talks to him.
Electronic Soundmaker & Computer Music, Aug 1985
Bruford & Moraz
Dissecting an unusual fusion
Electronic Soundmaker & Computer Music, Apr 1985
Bill Nelson's been out of the public eye recently, touring America and refurbishing his studio. Now he's back and talking to us.
Sound On Sound, Jul 1986
Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together.
Electronics & Music Maker, Nov 1982
An innovative multi-instrumentalist both in and out of the studio, from Be-Bop Deluxe to 'The Love that Whirls'.
Home & Studio Recording, Dec 1984
Bill lays bare his recording techniques and reveals the innermost secrets of his home studio 'The Echo Observatory' which has recently been upgraded to 16 track status. Now being used to record tracks fora forthcoming Nelson masterpiece.
Music Technology, Aug 1990
Chick Corea has helped pioneer the use of electronic instruments in jazz music - now 49 LPs down the line, he believes there's still more ground to cover. Scott Wilkinson talks to a musical legend.
Music Technology, Dec 1986
His career began in punk performance, digressed into a fascination with synthesisers, and now finds him in collaboration with a classical composer. Colin Newman explains performance and musical subversion to Tim Goodyer.
Music Technology, Oct 1987
Currently enjoying the success of U2's 'The Joshua Tree' album, this French-Canadian producer talks to Paul Tingen about his hand in this, Peter Gabriel's 'So' and other projects.
Sound On Sound, Sep 1987
In the concluding part of our in-depth interview with this French-Canadian engineer/producer, Mark Prendergast discovers how Lanois recorded the 'So' album with Peter Gabriel and more about his co-production with Brian Eno of U2's 'The Joshua Tree' and 'Unforgettable Fire' LPs.
Sound On Sound, Aug 1987
Mark Prendergast interviews this French-Canadian engineer/producer about his long-standing production partnership with Brian Eno and his recent involvement with Peter Gabriel and U2.
Electronic Soundmaker & Computer Music, Jan 1985
Strangler's keyboard commandant Dave Greenfield tells us why he's Waved goodbye to his Hammond.
Electronics & Music Maker, Jan 1984
One of the foremost composers of electronic film music, here he talks about his celluloid career and his more recent excursion into the world of popular music producing, and his own Danse Electronique.
Sound On Sound, May 1986
Renowned best for his keyboard/synth excursions in the jazz-rock field, Dave and partner Barbara Gaskin achieved several chart hits with re-workings of classic pop songs like 'It's My Party' back in 1982. Together they are presently completing their first album for release on compact disc. David Etheridge took a look behind the scenes.
Electronics & Music Maker, Sep 1986
It's two years since the former japan frontman made his solo debut, but a new double album showcases both Sylvian's unique songwriting and his interest in ambient, instrumental music. Exhaustive interview by Tim Goodyer.
Music Technology, May 1991
The charismatic singer, composer and lyricist rejoins the former members of Japan for their first LP in ten years. Tim Goodyer talks technology, philosophy and improvisation with David Sylvian.
Sound On Sound, Mar 1987
Since the break-up of his group Japan in November 1982, David Sylvian has been slowly widening the base of his music to encompass both ethnic and avant-garde sounds. Mark Prendergast gathers the facts on the change of style.
Music Technology, Jul 1987
Not quite a household name, but an American jazz fusion guitarist whose attitude to improvisation and performing with new technology is starting a quiet revolution. Dan Goldstein gets the lowdown.
Music Technology, Jul 1988
Q: When is a guitar not a guitar? A: When it's part of David Sylvian's music. Taking time out from a hectic schedule David Torn talks guitar textures and musical crossovers with Tim "pretentious, moi?" Goodyer.
Electronics & Music Maker, Sep 1986
Simon Trask travels to North London to visit one of Britain's longest-established synth studios, and to talk to its creator, electronic composer David Vorhaus.
Electronics & Music Maker, Jun 1981