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Review | Electronics & Music Maker, Jun 1981
We found these other (non-review) articles that are linked to this gear:-
Fairlight Explained - Part 8
Feature | Topic: Sampling, Synthesis & Sound Design | Electronics & Music Maker, May 1985
Another world first for E&MM: Jim Grant takes us through the creation of a sound without using the CMI's sampling facility.
Feature | Topic: MIDI | Electronics & Music Maker, Jun 1985
At last, the CMI frees itself from the constraints of an analogue interface and starts talking MIDI. Paul Wiffen checks out the results.
Fairlight's Father - Part 2
Interview | Music Technology, Jun 1987
TechTalk: Kim Ryrie
Second and final part of our interview with Fairlight's co-founder. Simon Trask listens to what he has to say about the future of musical technology.
Fairlight's Father - Part 1
Interview | Music Technology, May 1987
TechTalk: Kim Ryrie
In an exclusive interview, the co-founder of the Fairlight company and father of the CMI talks about the machine's development, and outlines his plans for the future. Simon Trask pops the questions.
Feature | Electronic Soundmaker, Sep 1983
The CMI and Blue Weaver
Feature | Topic: Computing, Synthesis & Sound Design | One Two Testing, Nov 1982
INPUT: computer analysis/Fairlight/Emulator/PPG/Synclavier/edit and compare/explain FILE FOUND: guest reviewer/Tom Dolby... ASSIGN
The Fairlight Explained - Part 6
Feature | Topic: Sampling, Synthesis & Sound Design | Electronics & Music Maker, Mar 1985
After a two-month absence, Jim Grant returns to the fold with some notes on CMI waveforms, lightpens and interpolation.
The Fairlight Explained - Part 2
Feature | Electronics & Music Maker, Sep 1984
Second instalment of Jim Grant's five-year mission into the unknown, or what goes on inside the world's most popular computer music tool.