Review | Music Technology, Jun 1988
Kawai's latest synthesiser combines samples with sounds created using additive synthesis. Simon Trask investigates what could be a new dimension in synthesiser technology.
Review | Sound On Sound, Jun 1988
Kawai's latest 16-voice multitimbral keyboard is packed with features and aimed fairly and squarely at D50/ESQ territory. Its PCM sampled waveforms include drums and percussion, a host of standard and exotic instruments, as well as the best of the additive synth waveforms gleaned from the K5. It also has one ace up its sleeve - its price. Ian Gilby tells it like it is.
Review | Music Technology, Mar 1988
Before you try to win one in our competition, this preview of Kawai's latest synth (and rack-mount alternative) should help whet your appetite.
We found these other (non-review) articles that are linked to this gear:-
Feature | Topic: Synthesis & Sound Design | Sound On Sound, Feb 1990
How would you like to hear a filter sweep, or digital delay effects, coming from your Kawai K1? Greg Truckell looks at how to make a K1 do six impossible things before breakfast.
Feature | Topic: Synthesizer Patches | Music Technology, Jan 1989
A review of PA Decoder's D50 ROM Vol II joins patches for the Ensoniq ESQ1, Kawai K1 and Korg DW6000 in this months' selection of readers' sounds.
Competition | Music Technology, Sep 1988
Find out if you're the winner of our Akai S700 sampler competition. Plus the winner of our Kawai K1 competition puts in a VIP appearance at the British Music Fair.