Micro Music - June/July 1989
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What's new in the world of the Micro Musician |
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Clive Grace assesses the best MIDI interfaces available for the PC, Amiga and Macintosh |
Darrin Williamson looks at an Amiga sampling package and MIDI interface all in one |
Sample editing was never so simple thanks to this Mac package |
Clive Grace gets pretty damned excited over the revolutionary Chapman Stick |
John Renwick puts this sequencer/sound module through its paces |
Phil Brammer finds time for RealTime for the ST |
An offbeat package for Mac owners with an artistic slant |
David Janda goes for his regular jaunt round the bulletin boards |
Wild man Bill Collins looks at the Simmons SDX system and gives us a few drum patterns to try out |
Derek BVie Marshall raps with the bad young brother himself about Ataris, Creator and reader-friendly manuals |
Following on from our look at KCS last month - Clive updates us on the new version for the Mac |
One of the most popular professional sequencing packages for the ST gets the once over from John Renwick |
Avid Steinberg Twelve user Paul Needs tells us all about this user-friendly budget sequencer |
Hybrid Arts budget package that thinks big as John Renwick discovers |
Roland's U-110 is proving to be one of the most popular expanders this year. Darrin Williamson finds out why |
An unconventional approach to sequencing but could be just the thing for ST users with limited keyboard skills |
Lock your sequencer to audio and video with a little help from Chris Smith's definitive guide |
Do four things at once with this multi effects processor from Alesis - John Renwick reports |
Paul Wiffen takes an exclusive look a Ensoniq's latest offering in the field of sampling |
Jez Ford patches things up with the audio routing system from 360 Systems |