Electronics & Music Maker - October 1984
|
|
A selection of opinions and queries from the E&MM postbag. |
Upcoming products, books, records and events. |
Personal KeyboardThe world's most advanced portable domestic keyboard is just about to hit the UK. Dan Goldstein finds out what FM voices, PCM drums and MIDI add up to. |
Electronic Percussion SystemMarketed in the US as E-Drums, these Swedish-built percussion units combine high quality digital samples with immense constructional sturdiness. Dan Goldstein again. |
Programmable Rhythm MachinesYamaha's first-ever self-contained programmable drum machines have PCM-encoded voices and MIDI. Kendall Wrightson gives his verdict. |
First reviewed in prototype form over a year ago, the 360 has been the subject of some significant hardware modifications since then, and Paul White reports on a more recent production sample. |
Tama are the first acoustic percussion manufacturer to enter the electronic arena: Paul White tested the first example in the country to see if the Japanese could make something more than a Simmons copy. |
Start of a new series in which readers are invited to submit 'extended letters' on an electronic music topic that's of interest to them. |
Programmable Percussion MachineThe Latin percussion variant of Korg's new budget drum machine duo comes under the scrutiny of Trish McGrath. Is its beauty more than skin deep? |
Almost every keyboard exhibitor at the British Music Fair was using these British-designed and built speakers to play their products through. Paul White tries to find out why. |
A new prestige keyboard line-up that fuses traditional modular synthesis concepts with the latest interface technology. The complete system surveyed by Dan Goldstein. |
UltravoxSeven years old and still going strong, Ultravox discuss writing, recording and performing with Dan Goldstein. They also explain why they've got four OSCars... |
We highlight three recording studios that place the emphasis on music hardware rather than expensive recording equipment: in order of price, East London Community Studio, Hollow Sun, and Computer Music Studios. |
Playing with TimeMCS stands for MIDI Controlled Sampler, E&MM's most exciting build-it-yourself project yet. Tim Orr gets the ball rolling with a discussion of the effects this Powertran unit can be used to produce. |
Reader Marek Bokowietz has constructed a complete electronic drum kit from E&MM's own percussion modules, the Syntom, Synbal and Synclap. |
Readers send in details of their own synth sounds and how to play them. |
The end of our quest to make Yamaha's revolutionary DX synths easier to comprehend and program. Jay Chapman performs the closing ceremony. |
Using Sequencers with Modular SystemsSteve Howell looks at different methods of triggering modular sequencers from click-tracks on tape. |
| | Part 4: Further Hardware DetailsThe resumption of our series describing the design of Clef Products' new computer music system for the BBC micro, the PDSG. Designer Alan Boothman takes up the story. | Music Computer and Software1984's most eagerly-awaited electronic music product is finally making its way into dealers' showrooms. David Ellis has been taking a look at the micro itself, Yamaha's exclusive FM sound chip, the controlling keyboard and the first batch of software. | Part three, and Jim Grant outlines the basics of sound sampling. | Two alternative hardware modifications for adapting our music control micro-peripheral for use with the BBC B. | Sound Sampling System for Apple II/IIeMainframe's sound-sampling add-on for the Apple is now available to the general public. David Ellis puts the system through its paces. | October sees the official launch of E&MM's own music software division. We tell you what's available now, and a little of what you can expect from us in the future. |
|