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Sound On Sound - November 1988

Welcome
Feature

Volume 4 Starts Here!

This article has no OCR bodytext.Edits
News

Shape of Things to Come
News

A look at some forthcoming products from the world of hi-tech music and recording.

Mac Recorder
Review

Matthew Vosburgh reports on this unassuming little program that turns any Macintosh computer into a powerful sound sampler.

Using the Alesis HR16 as an Expander
Feature

Sure, it's a drum machine - but the HR16 also makes a great drum expander module if you know a few crucial tricks about applying it. Craig Anderton explains all.

Making Quantisation Work For You
Feature

Used effectively, quantisation can do much more for your sequenced music than simply cleaning up a sloppy playing technique. Craig Anderton supplies some helpful guidelines...

Trackman Sequencer
Review

Paul Ireson previews this new British 32-track MIDI sequencer for the Atari ST.

Back To The Future
Feature

Cheetah MS6 Multitimbral Analogue Synthesizer

Seems like everyone has been waiting to get their hands on this low-cost 6-voice, multitimbral, analogue synth expander. Martin Russ looks at the affordable face of technology.

Village People
Show Report

PC Show Report

A chance to catch up on what you missed, music-wise, if you weren't among the 104,000 people who attended this year's Personal Computer Show at Earl's Court.

Writing Music for a Documentary
Feature

Composing music for television can be both exciting and frustrating, as Ian Assersohn and Stephen Frost of Sequenza Music Production discovered when they began writing music for a documentary film about India.

How It Works: the Power Amplifier - Part 11
Feature

Otherwise known as the big black box at the bottom of the rack, the power amplifier is the most unglamorous piece of audio equipment known to man. David Mellor seeks out its finer qualities.

The New Standard?
Review

Akai S1000

No-one can deny that Akai's S900 is the 'industry standard' sampler, having kept all newcomers at bay for well over two years. But now there's a new heir to the throne. David Mellor looks at the long-awaited 16-bit stereo, 16-note polyphonic S1000.

Eventide H3000 Ultra Harmonizer
Review

From the shrill squeak of the soprano to the sepulchral tones of the basso profundo, the Eventide H3000 can create the full spectrum of human vocalisation out of the merest baritono ordinario. David Mellor gives it an aural test.

Making the Most of 'M'
Feature

Martin Russ describes some ways to use Intelligent Music's 'M' program as an effective aid to structured composition.

ADA Signal Processors
Review

David Mellor tries out three new effects units from ADA — a MIDI programmable stereo equaliser, MIDI valve preamp, and a pitch transposer - and finds one that gives his secret studio weapon a run for its money.

PROMIDI
Review

Direct-to-Disk Studio System

Here's a computer-based sequencer with a difference - PROMIDI records direct-to-disk, lets you structure your music any way you please, and runs on low-cost PC compatible computers. Ian Gilby investigates...

Blowing Technology's Horn
Interview

Mark Isham

Mark Prendergast talks with trumpeter, composer, and synthesist Mark Isham about new technology, David Sylvian, Van Morrison, Windham Hill, and his solo career as one of Hollywood's more interesting film soundtrack composers.

Software Support
Feature

Hints, Tips & News From The World Of Music Software

Spurred on by the successful reaction to our previous Steinberg and Dr.T support pages, we bring you a regular new column of hints, tips and news from the world of music software.

Sounding Off
Opinion

Reverb: Too much of a good thing?

A new column that allows music industry figures to air their views on whatever it is that bugs them! Keyboard programmer, music consultant and author Paul Wiffen kicks things off this month.

Sound On Sound - Copyright: SOS Publications Ltd.
The contents of this magazine are re-published here with the kind permission of SOS Publications Ltd.

 

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