Overtones
Feature | Topic: Music Business | One Two Testing, Oct 1985
whither EMI in the 1960s
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GearSoftware: Editor/Librarian > Dr. T > 4-OP DeluxeSoftware: Sequencer/DAW > Dr. T > BeyondSoftware: Editor/Librarian > Dr. T > Caged Artist D110Software: Editor/Librarian > Dr. T > Caged Artist Proteus EditorSoftware: Scorewriter > Dr. T > CopyistSoftware: Scorewriter > Dr. T > Copyist ApprenticeSoftware: Editor/Librarian > Dr. T > ESQ-apadeSoftware: Algorythmic > Dr. T > FingersSoftware: Editor/Librarian > Dr. T > K! Editor/LibrarianSoftware: Sequencer/DAW > Dr. T > KCSSoftware: Sequencer/DAW > Dr. T > KCS OmegaSoftware: Misc > Dr. T > MPESoftware: Sequencer/DAW > Dr. T > MRSSoftware: Editor/Librarian > Dr. T > MT32 Editor/LibrarianSoftware: Editor/Librarian > Dr. T > Proteus EditorSoftware: Scorewriter > Dr. T > QuickScore DeluxeSoftware: Synth > Dr. T > SampleMakerSoftware: Misc > Dr. T > T-BasicSoftware: Sequencer/DAW > Dr. T > TigerSoftware: Sequencer/DAW > Dr. T > Tiger Cub | |||
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Khemistry klassGroup: In SessionWrexham's master remixers spill the beans | |||
EMI StudiosFeature | Topic: Recording Studios | International Musician & Recording World, Nov 1975Abbey RoadPerhaps the most famous recording studio in the world explored by IM's Eamonn Percival | |||
60 Years Of Abbey RoadFeature | Topic: Recording Studios | Sound On Sound, Jan 1992Richard Buskin looks back at the illustrious past of the world's most famous studio and discovers why Abbey Road has remained a front-runner for so long. | |||
Genetic EngineeringInterview | Music Technology, Apr 1992It began with an illicit remix of Suzanne Vega and it's already earned them their own album release. Simon Trask tracks down the elusive DNA musical partnership to ask who, how and why. | |||
The Python and the Redwood StageFeature | Topic: Video / Film / Picture | Sound International, May 1979The ProducersAndré Jacquemin stars in "The Python and the Redwood Stage", introducing Doris Day as Fred Dellar, and a supporting cast including Dame Edna Everage and the Leyton Buzzards. Whipcrackaway, whipcrackaway! | |||
1898 And All ThatFeature | Topic: Music Business | Sound International, Aug 1978Fred Dellar presents a potted history of the people who bring you the 'product' - the record companies. | |||
Programming African RhythmsFeature | Topic: Drum Programming | Sound On Sound, May 1988There has been an enormous upsurge of interest in African music of late. Artists as diverse as Paul Simon, Peter Gabriel, Talking Heads and Brian Eno have acknowledged its inspiration on their work. But there is little information around that explains the fundamental concepts behind it and how a musician can incorporate the sounds and ideas into their own work if they wish to. Kofi Busia suggests a few ideas. | |||
Riding The Silver WaveInterview | Music Technology, Feb 1989The move from fashion model to pop starlet is many a young girl's dream but Lizzie Tear is already over halfway there. David Bradwell counts the remixes. | |||
Non-Stop Electronic CabaretInterview | Music Technology, Jun 1992Having helped establish the direction of British electronic experimental music in the early-'80s and helped guide it through the dance explosion, Cabaret Voltaire have released a new album. Tim Goodyer finds out why the tracks sound strangely familiar. | |||
Planet RockInterview | Music Technology, Apr 1988John "Jellybean" Benitez is the leader of the current trend of DJs turned recording artists. Tim Goodyer talks to him about the relationship between the dancefloor and the recording studio. | |||
And Now For Something Completely DifferentInterview | Home & Studio Recording, Mar 1985An interesting interview with Andre Jacquemin who just happens to be the man responsible for the recording of the Monty Python madness that's surfaced on film and vinyl over the last decade or so. | |||
Partners In RhymeInterview | Music Technology, Feb 1992Felton Pilate's success spans "traditional" funk to the rap revolution - just now he's writing, producing and playing keys for Hammer. Nick Batzdorf raps tech with the Hammer man. | |||
Richard Harvey - Part 1Interview Series | Sound International, Jan 1979Meanwhile Richard tells me that Richard is a multi-instrumentalist and used to play with Gryphon. Course I knew that cos I've read the piece, but you haven't yet, have you? | |||
The ProducersGroup: Recording WorldChas de Whalley, Paul Stavely O'Duffy, and the Get Down Mixdown Factor. | |||
Geoff Emerick - producer/engineerInterview | Home & Studio Recording, Jul 1985The Beatles, Wings, Elvis Costello, Nick Heyward, Big Country... all have at one time or another come under the watchful ear of this producer/engineer. | |||
Dave SimmsFeature | Topic: Advertisement Feature, Retail | International Musician & Recording World, Jun 1975Dealer of the Month | |||
Heroes - Part 10Feature Series | Topic: History / Culture | One Two Testing, Oct 1984George Martin — the fifth Beatle? | |||
NewsNews | Music UK, Sep 1983Delightful Dobros, Scintillating C-Ducer, Luscious Lighting, Captivating Canons and much more super schmutter | |||
Talk Talk TalkInterview | Electronic Soundmaker & Computer Music, Jul 1984 | |||
Welcome to the Machine - Part 1Feature Series | Topic: Live | Sound On Stage, Mar 1997The Story of Pink Floyd's Live Sound | |||
MonitorNews | Topic: Tape, Vinyl, CD, DAT | Sound Engineer and Producer, Nov 1986Product - people - developments - decisionsThe latest in pro audio news and views | |||
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