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Roland PM16

Review | Music Technology, Dec 1987
Electronic Drums

Pick up sticks; the latest electronic kit from Roland doesn't come with its own voices but Nicholas Rowland discovers its MIDI converter may have other uses in the studio.

Symetrix 511A Noise Reduction Unit

Review | Music Technology, Feb 1989

Noise reduction is an essential part of any professional recording; but there's more than one way of providing it and more than one way of using it. Silence is golden to Vic Lennard.

Tascam 238

Review | Music Technology, Jan 1989
Eight-track cassette recorder

The four-track cassette recorder revolutionised home recording and significantly changed the recording industry; will the eight-track cassette have a similar effect? Vic Lennard goes on record.

Programmer's Protocol

Interview | Music Technology, Jun 1988

From his involvement in the infamous Frankie Goes To Hollywood sessions, Andy Richards has become an accomplished producer and programmer in his own right. Nicholas Rowland listens to a rationalisation of technology.

Head Boy & Casual God

Interview | Music Technology, Mar 1988

Talking Heads keyboard player Jerry Harrison talks to Nicholas Rowland about a forthcoming Heads LP and a solo project he calls The Casual Gods.

Art & Science

Interview | Music Technology, Apr 1988
JJ Jeczalik

With the title track from the film Dragnet currently on release, the Art of Noise are still newsworthy. Paul Tingen talks to JJ Jeczalik about sampling, Frankie Goes To Hollywood and court cases.

Ensoniq SQ80

Review | Music Technology, Feb 1988
Cross Wave Synthesiser

The successor to Ensoniq's popular ESQ1 expands on the sound and sequencing facilities and adds polyphonic aftertouch to the ESQ's spec. Simon Trask goes in search of the performance synthesiser.

Korg C5000

Review | Music Technology, Nov 1987
Electronic Piano

Thought you'd seen the last of the electronic piano? Simon Trask rolls up his sleeves and finds out there's life in the old dog yet.

Groove Electronics MIDI Interfaces

Review | Music Technology, May 1988
for Roland Jupiter 8 & Juno 6/60

Hands up once-proud owners of a Jupiter 8 or Juno 6/60 who've left their pride and joy to collect dust while they've concentrated on MIDI gear. Tony Wride finds out MIDI can be yours courtesy of Groove Electronics.

Dr T's Midi Recording Studio

Review | Music Technology, May 1988
Software for the Atari ST

Budget software that sets out to prove that budget doesn't necessarily mean limited. Simon Trask puts the MIDI Recording Studio through its paces with his eye on the "features for ackers" gauge.

Master Tracks Junior

Review | Music Technology, Jun 1988
Software for the Atari ST

A powerful sequencer for a less than overpowering price? Simon "loadsamidi" Trask discovers the slimmed-down version of Master Tracks Pro might just be Passport's passport to mass popularity.

Korg M1

Review | Music Technology, Jul 1988
Music Workstation

This synth/sequencer/drum machine with digital effects is the first instrument in Korg's new workstation series. Simon "Mansell" Trask takes it for a test drive.

Casio HZ600

Review | Music Technology, Nov 1987
Portable Keyboard

Budget polysynth or home organ accessory? Casio attempt to find another gap in the market with Spectrum Distortion synthesis. Nicholas Rowland finds it's not too far from old-fashioned analogue.

Casio MG MIDI Guitar

Review | Music Technology, Dec 1987

Pitch-to-MIDI conversion without the complication of a free-standing conversion unit; Simon Trask finds new freedom in Casio's guitar controller.

Toa MR8T

Review | Music Technology, Feb 1989
Eight-track cassette recorder

When the first Portastudio was launched, it caused a revolution in the recording industry - now you can put eight tracks on the same tape. Vic Lennard punches in.

Roland TR626

Review | Music Technology, Nov 1987
Rhythm Composer

Beat crazy. As yet another drum machine arrives on the market, Nicholas Rowland wonders if it's time to get away from the present format.

Cheetah MD8

Review | Music Technology, May 1988
Digital Drum Machine

Competition is fierce in the budget drum machine arena. Nicholas Rowland takes a look at the British answer to the Japanese and American machines that have been in the limelight recently.

 

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