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The Programming PeopleFeature | Topic: Music Business | Sound On Sound, Nov 1985Greater reliance on hi-tech instruments in the studio means there's more demand for people able to programme them. Paul Gilby spoke first to Karin Clayton about her recently formed agency that supplies programmers for studio sessions, and then to Fairlight programmer Simon Lloyd about his work. |
Ian Boddy: PhoenixInterview | Sound On Sound, Dec 1986THE STORY OF AN INDEPENDENT RECORDThe story of how one of this country's lesser-known synthesists took the bold step of forming his own record label to independently release his fourth album 'Phoenix'. Paul Gilby documents the process. |
Sony D-55T DiscmanReview | Sound On Sound, Oct 1986Compact discs represent a superb source of high quality sounds for the samplist too lazy to sample their own. What's more, products like this D-55T CD player make the task even easier with their programmable auto-loop function. Paul Gilby explains... |
Fostex MN-15 Mixer/CompressorReview | Home & Studio Recording, Sep 1984 |
Using MicrophonesFeature | Topic: Microphones | Home & Studio Recording, Apr 1985Which Microphone?Which Microphone? We take eight mics from Shure's successful PE Series and subject them to some rigorous practical tests - with surprising results. |
Clue DataReview | Sound On Sound, Nov 1985Beyond the razor-blade: HHB's innovative CLUE system provides an answer to the digital editing dilemma. Paul Gilby pieces together the story. |
Inside Views: AphexFeature | Topic: Design, Development & Manufacture | Sound On Sound, Jan 1987Paul Gilby returns with the series that takes a behind the scenes look at companies and design personnel working in the field of music and recording technology. This month: Marvin Caesar, President of Aphex Systems USA - creators of the legendary Aural Exciter. |
Inside ViewsFeature | Sound On Sound, Oct 1986Pressing RecordsPaul Gilby visits SRT Records & Tapes to unearth the 'inside views' of its managing director David Richardson, whose profound words shatter some of the illusions and myths that surround the record manufacturing industry. |
Sound Absorbers - Part 1Feature | Topic: Acoustics | Home & Studio Recording, Sep 1984AcousticsThe function of 'sound absorbers' and how to build a sound absorbent wall box. |
Return To Zero - Part 3Feature | Topic: Recording | Home & Studio Recording, Apr 1985Noise Reduction SystemsAn explanation of the most common noise reduction systems in audio use, including Dolby A, B, C, and dbx. |
Inside Views: FairlightFeature | Topic: Design, Development & Manufacture, Sampling | Sound On Sound, May 1987Continuing our series that looks at hi-tech companies and design personnel working in the field of music and recording technology, Paul Gilby talks sampling with Kim Ryrie, President of Fairlight Instruments of Australia. |
Showtime!Show Report | Sound On Sound, Jan 1987What you may have 'missed' at the Los Angeles AES and the London Hands On Shows.Los Angeles and London were the recent locations for two very different audio get-togethers. Paul Gilby reports on the proceedings and products shown at both the AES and Hands-On shows. |
Inside Views: E-mu SystemsFeature | Topic: Design, Development & Manufacture | Sound On Sound, Apr 1987Continuing our series that looks at hi-tech companies and design personnel working in the field of music and recording technology, Paul Gilby talks to Marco Alpert, Director of Marketing & Sales for E-mu Systems of America - the company behind the Emulator and Emax samplers. |
Akai GX-4000D Reel-to-ReelReview | Home & Studio Recording, Oct 1984 |
Teachers And TechnologyShow Report | Topic: Education | Sound On Sound, Mar 1992BETT '92Paul Gilby reports from the show devoted to educational technology. |
Art - Empire - IndustryInterview | Sound On Sound, Dec 1985Flushed with the chart success of Close (To The Edit), the 'faceless' trio return with more talk of Art, Empire and Industry. Paul Gilby pushed the record button and monitored the noise levels... |
Jazz From HellInterview | Sound On Sound, Feb 1987Back with a new album 'Jazz From Hell' composed and executed almost entirely on Synclavier, this 60s cult hero explains to Paul Gilby why he has turned his back on lyrics and the reasons for his four-year love affair with the sexy black keyboard with the round Winchester disks! |
Inside Views: J L CooperFeature | Topic: Design, Development & Manufacture | Sound On Sound, Oct 1987Another in our series that looks at hi-tech companies and design personnel working in the field of music and recording technology. This month Paul Gilby talks to Jim Cooper, President of J.L Cooper Electronics and the MIDI Manufacturers Association. |
From 24 tracks to 8Interview | Home & Studio Recording, Oct 1984Founder of Ultravox and owner of The Garden Studio, John Foxx talks about all aspects of his recording methods and highlights the technological changes that have caused him to rethink the way he composes. |
Aphex Type C: Instant Excitement!Review | Sound On Sound, Dec 1985EXCLUSIVE: Paul Gilby examines the very latest American audio invention for removing cotton wool from your ears! |
JBL Control 1 MonitorsReview | Sound On Sound, Mar 1987It is easy to be fooled by their diminutive stature, but these tiny monitors pack one helluva sonic punch. Paul Gilby was on the receiving end. |
The Sound On Sound Guide To SamplersFeature | Topic: Buyer's Guide, Sampling | Sound On Sound, Nov 1987Everything you ever wanted to know about samplers... 48 models compared! Paul Gilby surveys the current sampler market, exposes the 'spec wars', dispels the 16-bit myth and explains in simple terms how sampling really works, before telling you what to look out for when buying secondhand. |
Sound Absorbers - Part 2Feature | Topic: Acoustics | Home & Studio Recording, Oct 1984AcousticsThis month an explanation of the function of the Helmholtz Resonator. |
Sampling The Japanese WayReview | Sound On Sound, Dec 1985Akai S612 MIDI SamplerA reduction in price and the introduction of their Quick Disk make Akai's S612 MIDI Sampler an even more attractive investment. Paul Gilby was suitably impressed. |
Akai MIDI EffectsReview | Sound On Sound, Feb 1986Digital Delay, Dynamic Control and Arpeggiation emerge from the MIDI jungle. Paul Gilby observes this rare species. |
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