Home & Studio Recording - December 1986
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Shirley Gray burrows deeper inside the growing mound of tapes and comes up with some interesting results. |
From our Greenland correspondent.Alan Hoida dons his Santa outfit and explains the pros and cons of working on film as opposed to video. |
Roy WoodRoy Wood risked burning the supper to bring us up to date on his career, his current activities and his method of working in the studio. |
Mike Skeet explains how to bring sound on sound recording into the 20th century using two video recorders and a Sony PCM processor. |
Living Dangerously with 'Doors'A look behind closed Doors. |
The Reverb Revolution ContinuesDon't spend your Christmas money until you've read this! We bring you an exclusive in-depth review on Alesis' new secret weapon: a 16-bit, studio quality, digital reverb for little more than the cost of a spring unit. |
Tascam Porta TwoThis month's cover feature, the brand new Tascam Porta 2. Bristling with features, this 6-channel, 4-track portable studio still falls within an attractive price bracket. |
Roland DEP5Roland's long-awaited multi-effects unit turns out to have a great deal to offer. |
Pete HarrisPete Harris, engineer, producer and programmer talks to Paul White about working in the Zomba empire. |
MTR 6:4:2A budget 6:4:2 mixer that is neither short on features nor costs the earth. |
Korg DRV1000 Digital ReverbThe DRV1000 heralds Korg's late entry into the digital reverb market, but has it come too late? |
A studio devoted to the service of the community. |
Cassette CopyingClive Brooks shows how to turn pleasure into profit. This month it's cassette duplication. |
The BoxTapetalk's latest species of Box soundstage analyser turns out to be a very useful device to have in the studio. |
What was to be a 2-part series has now grown. This second part covers the creative use of effects when mixing. |
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Ben Duncan, the sultan of solder, subjects the concept of room equalisation to further scrutiny. |