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4-Channel Stereo Mixer

4 Into 2 does go!

A stereo mixer with parametric equalisation on each channel. Design by Mark Stuart

Audio mixers may appear in many forms but all share the same purpose — that of combining multiple signal sources into a lesser number of signal outputs.

The circuit presented here takes four input channels and allows them to be mixed in any proportions into two output channels. Each input channel has its own parametric equalisation stage which allows a response peak or dip of variable depth to be positioned anywhere in the audio frequency band. Independent effects controls on each channel allow any mix of input signals to be fed to an external monitor amplifier or electronic effects unit. The return signal from an effects unit can be remixed into the two output channels in any proportions.

A 'pan pot' on each channel enhances the mixer performance when used to provide a stereo output. 'Panning' the signal sweeps it smoothly from one channel to the other using a single control. Each output has a master level control; the mixer is designed to be used at 'line' levels of approximately one volt peak. The input impedance is 50k ohms. The output can drive loads down to 10k ohms; the overall gain through the mixer is one.

Fig 1. Circuit of one channel of the mixer. Note that all the outputs are shown.
(Click image for higher resolution version)


Fig 2. Overlay for the identical input boards.
(Click image for higher resolution version)

A modular approach, using individual printed circuit boards for each input channel, has been adopted. This method allows the number of input channels to be varied to suit particular applications. A second printed circuit board combines both output channels and the effects in/out amplifier stages. On both boards the potentiometers are mounted on the component side, with their spindles passing through to the copper track side. A sufficient length of mounting bush remains on each control to be passed through a metal facia panel.

Prior to assembly the boards can be used as templates to mark out the facia panel for the drilling of the 3/8" mounting holes. Ensure that the panel holes are cleared of burrs which could cause short circuits on the boards. A second set of holes, to accommodate the jack sockets, should be drilled in the rear of the case. A case made from 18swg aluminium is recommended for easy drilling.

Fig. 3. Overlay for the master control board.
(Click image for higher resolution version)

Once the metalwork is complete the printed circuit boards should be assembled. Refer to Figs 2 and 3, and first fit the wire links, resistors and IC sockets. Fit single sided PCB connecting pins to the nine wiring points on each channel board and the 16 points on the output board. The potentiometers should be fitted next; refer to Fig 4 and start with the single gang type. Be careful when bending the tags forward — if possible use a pair of pointed pliers. Dual controls VR2 and VR4 must be wired as shown in Fig 4, before mounting. Take care to link the tags exactly as shown. Note that there are only three connections to the board from VR3 and four from VR4. Finally fit the capacitors, ensuring that the electrolytics are the correct way round.

Check each board thoroughly after assembly for dry joints, solder bridges and incorrect components. A little time now can save hours later.

Use screened wire to connect the channel inputs & the signal outputs to their respective jack sockets.

The effects in and out pins (labelled EFFIN & EFFOUT) on the output board should be wired with screened cable. The screen MUST NOT be connected at the circuit board end. At the socket end the screens should be connected to the sleeve terminals as usual. An additional connection from these sleeve terminals on the output sockets must be made to provide the signal ground connection.

Fig. 4. Potentiometer wiring and connections.

Interconnection between the circuit boards is achieved simply by linking all the terminal pins with the same letter. Thin stranded insulated connecting wire should used, wrapped around each terminal before soldering. This operation is simplified if the boards are first mounted to the facia panel.

When the wiring is complete fit the battery clips to SW1 as shown in Fig 3, and insert the ICs. Connect two sets of four 1.5 volt cells. The unit is now ready for testing.


The Stereo Mixer PCB foil pattern
(Click image for higher resolution version)

Testing is best carried out by connecting each channel in turn to an amplifier (turned well down). Connect a signal source to one input and check the behaviour of the controls.

The parametric equaliser section is best tested with a source of fairly broad band signals. When set to maximum peak, sweeping the frequency control will produce a wah wah effect. When set to maximum dip the effect appears to be more subtle. The function of the other controls should be self explanatory.

Fault Finding

It should be fairly straightforward to identify any faults. A fault on a single channel is likely to be on the associated input channel board. A fault appearing on all channels is probably on the output board. The most likely faults are dry joints, crossed wires or incorrect components.

[Errata, Lead Lines Aug/Sep 84 issue: Pot VR5 on the input boards should go to 0V, not -VE.]

Parts List

R1,3,4,9,10,11 47k
R2 8k2
R5,6 2k2
R7 10k
R8 2M2

C1 100n C280
C2,3 22n C280
C4 10u 25V radial electrolytic
C5 10u 16Vradial electrolytic

Potentiometers — all 20mm dia. PCB mounting
RV1,5 47k Log
RV2 100k Lin
RV3,RV4 100k Lin Dual
PCB, knobs etc.
Above Parts for 1 input Channel (4 sets for 4 Input mixer)

Resistors — all ¼W 5% carbon film
R12,13,14,15, 16,17,18 47k

Potentiometers — 20mm dia. PCB mounting
RV6,RV7 10k Log
RV9 47k Log
RV8 100k Lin

C6,7,8,9 100n C280
C10,C11 100u 10V Radial Electrolytic
IC2, IC3 TL072

Switch SW1 — DPST Rotary, Case — aluminium approx 210x150x50, Jack sockets, SK1 — Mono break, 1 per input channel, SK2,3,5 — Mono, SK4 — Mono Break, Battery clips PP3 type — 2 off, Battery holders 4 x HP11 type — 2 off, knobs, wire, PCBs etc.

Previous Article in this issue

Crossword Competition

Next article in this issue

Concert Review

Electronic Soundmaker & Computer Music - Copyright: Cover Publications Ltd, Northern & Shell Ltd.


Electronic Soundmaker - Feb 1984

Donated by: Ian Sanderson

Feature by Mark Stuart

Previous article in this issue:

> Crossword Competition

Next article in this issue:

> Concert Review

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