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Review | Recording Musician, Oct 1992
Review | Home & Studio Recording, May 1984
Review | Sound On Sound, Nov 1988
David Mellor tries out three new effects units from ADA — a MIDI programmable stereo equaliser, MIDI valve preamp, and a pitch transposer - and finds one that gives his secret studio weapon a run for its money.
Review | Home & Studio Recording, Aug 1985
For people with very narrow studios, Boss have introduced a very narrow effects rack... Martin Sheehan investigates.
Review | Home & Studio Recording, Feb 1984
Review | Sound On Sound, Mar 1988
Akai MB76 Programmable Mix Bay, PEQ6 Programmable Equaliser
Used together, the Akai MB76 Mix Bay and PEQ6 Equaliser can bring a limited but useful degree of automation to the MIDI-based home studio. Ian Gilby explains how.
Review | Electronics & Music Maker, Aug 1983
Review | Home & Studio Recording, Jan 1984
Review | Home & Studio Recording, Oct 1984
Multi Signal Processor
Review | International Musician, Apr 1975
Review | Electronic Soundmaker, Aug 1985
Boss Micro Rack
Five new effects for the home studio
Review | Sound International, Aug 1978
Mark Unpronounceable puts a new graphic through its PA:CEs (what else?).
Review | Sound On Sound, Mar 1990
MIDI Programmable Graphic Equaliser/Real Time Analyser
The new Peavey Autograph not only analyses your EQ problems, it fixes them too! David Mellor investigates.
Review | Sound On Sound, Jun 1990
Dynamic MIDI control of EQ curves is only one of the creative benefits of this stereo 14-band equaliser, which offers tremendous tone-shaping power to those enlightened enough to explore its functions. Dave Lockwood sees the light and reports back.
Review | International Musician, May 1975
Review | Home & Studio Recording, Apr 1984
Review | In Tune, Jul/Aug 1985
Review | Home & Studio Recording, May 1985
Review | International Musician, Jun 1986
Dave Burrluck back again, treading callously on a new range of innocent young pedal effects
Review | Music Technology, Mar 1990
The 100 Series is Yamaha's compact, cost- effective line of studio modules. Simon Trask tests a selection of units from mixer through effects to monitors.