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Search results

Ensoniq SQ1 Plus

Review | Music Technology, Nov 1992
Personal Music Studio

Value added tracks

Torque T225SK

Review | Music Technology, Dec 1992
Stereo Keyboard Amp

Ensoniq ASR-10

Review | Music Technology, Jan 1993
Advanced Sampling Recorder

Bit of this, bit of that

Akai S2800 & S3000 Samplers

Review | Music Technology, Mar 1993

Leaders of the new school?

Incoming Data

News | Music Technology, Apr 1993

Vince Clarke’s Wall Of Sound

Interview | Music Technology, Jun 1993

Here’s your ticket to Amsterdam, Vince will meet you at the studio and show you all his favourite classic synths. A dream? No, a reality, thanks to Ian Masterson and Music Technology. Ian gets an exclusive guided tour around Erasure’s secret analogue powerhouse, just for you. You can almost taste the Amstel beer

Korg 05R/W

Group: Quality Control

Review | Music Technology, Oct 1993
General MIDI module

Less knobs, more sound

Ensoniq CDR-1

Group: Quality Control

Review | Music Technology, Oct 1993
sample CD-ROM

Hundreds of samples on tap

Studiomaster Star System

Group: Quality Control

Review | Music Technology, Oct 1993
8:4:2 mixer

The ergonomics of the small mixer redefined

Akai DR4d

Group: Quality Control

Review | Music Technology, Oct 1993
hard disk recorder

Direct-to-disk recording from the sample stable

NJD MP820

Group: Quality Control

Review | Music Technology, Nov 1993
MIDI-to-mains

Key velocity equals brightness - but were talking light, not sound, with this 8-channels-per-note interface from NJD.

Optikinetics Solar 250

Group: Quality Control

Review | Music Technology, Nov 1993
sound-animated projector

A bass down-beat triggers wheel-rotated effects, but this sound-to-light projector system is a lot more flexible than in the old green-for bass, red-for-treble disco days.

Shortcuts

Group: Quality Control

Review | Music Technology, Nov 1993

BCK LSI LiteShow

Group: Quality Control

Review | Music Technology, Dec 1993
integrated MIDI-to-light controller

Eight channels of lighting, 300w per channel - all controlled through MIDI Channel 16. Is this he light at the end of the tunnel?

Vestax CD-33

Group: Quality Control

Review | Music Technology, Dec 1993
double CD player

Double turntables are the DJ stock-in-trade. Can the CD format take the dance floor by storm?

Peavey SP/SXII

Group: Quality Control

Review | Music Technology, Dec 1993
sampling system

The SP is the playback/editing and memory bit; the SXII does the recording. Peavey rewrite the rules of sampler design.

Yamaha QR10

Group: Quality Control

Review | Music Technology, Dec 1993
music accompaniment player

Auto-accompaniments, yes - but it's a recordable sequencer too. And you can fiddle with it on the train...

Short Cuts

Group: Quality Control

Review | Music Technology, Dec 1993

Pet Sounds

Interview | Music Technology, Dec 1993

A behind-the-scenes glimpse into who does what, and how, in the making of Neil Tennant and Chris Lowe's classic synth-pop records.

Mark Of The Unicorn MIDI Express

Group: Quality Control

Review | Music Technology, Feb 1994
interface for the Macintosh

This new interface could be just the ticket for Mac users.

Korg Audio Gallery AG-101 & AG-102

Group: Quality Control

Review | Music Technology, Feb 1994
Multimedia Music System for PC & Macintosh

Do Korg's new Mac and PC add-ons represent a sound investment?

Pulsar Zero 4001 & Litefoot

Group: Quality Control

Review | Music Technology, Mar 1994
lighting control for musicians

Look - no hands! Play and display even without MIDI.

Korg X3R

Group: Quality Control

Review | Music Technology, Apr 1994
music workstation module

For every keyboard synth there must a rackmount version. The X3 is no exception.

SPL Stereo Vitalizer

Group: Quality Control

Review | Music Technology, Apr 1994
psychoacoustic equaliser

Sound enhancement at both ends of the spectrum - and something in the middle.

Aleph Time Talk

Group: Quality Control

Review | Music Technology, Apr 1994
digital time-conversion software for the ST

For easy-to-digest samples and delays that repeat on you at just the right moment.

 

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