Yes — All the way from America
Ron Bienstock, Editor of IM (USA), talks to Yes on tour in the States.
"On the older records where Jon was doing most of the lyrics, I didn't know what he was saying... I'm not even sure he knew what he meant." Chris Squier
In the past critics have said that Yes as a band doesn't really swing, but 'Owner Of A Lonely Heart' certainly does. Was this a conscious effort? Chris: "I think it was. On the things we were rehearsing that didn't go on the album as well, we were experimenting, if you can call it that. We were actually playing simpler music. I know basically my own playing on the album is a lot simpler, but for a reason, to have a modern version of Yes".
So what exactly is the point Yes are trying to put over in 90125? Jon: "The Yes thing has always been a sort of pointed opinion, musically, stage-wise, production-wise. We make a statement as to what we feel is happening. Some of the lyrics like 'City Of Love', they're done in street language from a lyrical point of view".
"My playing on the album is much simpler, but for a reason - to have a modern version of Yes". Chris Squier
What equipment will they be using on the US tour? Alan: "I'll probably be using a Simmons kit on the road. They are more dynamic on stage than a conventional kit. But they have been used a little too much recently. It's a bit of a cliché."
Tony Kaye is going to be using an interesting set-up, as he explained: "It's pretty revolutionary, really, nobody's used it before, it's a method of connecting keyboards together to build a sound. It's a system of MIDI interfacing. I'm using two separate systems, two MIDI systems that can be programmed and connected together... it should be horrendous. One system is a Jupiter 8 and a OBXa and another system is the Yamaha Digital equipment; the DX7's connected to anything basically. I'll probably use another Jupiter and that'll be connected to the Emulator. The Emulator playing a lot of real sounds can be reprocessed through any of those two, so the possibilities are endless".
Trevor uses a 1962 Fender Stratocaster, mainly, but "On the road, I'll be using a Roland guitar synthesizer, with a new programmable module I'm waiting for. On the album I used a Les Paul, a Telecaster every now and then, but mostly the Strat".
Chris will continue to use a Rickenbacker but besides that he'll be using a bass made by MPC. "I used it on the single and also on 'City Of Love'. It has modules on the back, the most effective of which is the flanger. I also use an eight string bass that was made for me by Eric Rawar in Chicago. In fact, he also made a twelve string (guitar) that Trevor uses on the album — he's an excellent guitar maker". How do the band feel about the album's British chart placing? Chris: "I'm quite disappointed with the album in England. It came in at number 16 the first week, then it went to 28 and now it's dropped again, but I think that somehow it'll turn around and go back up. We've had very good reviews in England which is strange for us. It's still selling well, it's just an oddity".
Why are English bands doing so well in the States? Trevor: "American record companies are dictated to by the radio — 'this is what's happening, this is what we want to hear' — it filters down from the A&R guys to the guys who bring in the demos... that sort of stifles the originality of American bands".
Atlantic's London offices reckon there is a good chance that Yes will be playing some dates in the UK this year, though nothing has been finalised. The present tour will see the band taking their show to Japan as well as the USA. Will they be simplifying the stage show the way they had the music? Chris: "Do you mean make it less theatrical? No, I don't think so. We're looking at designs at the moment and they're quite big..." Alan: "What we're looking at now is a fairly simple stage, but it's clever in the way it works, it's gonna be something new like our music". What did they hope to achieve on this tour? Chris: "I'd like to play Moscow". Yes in the USSR? Don't laugh — it could happen.
Interview by Ron Bienstock
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