The Mix - August 1994
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On this month’s RE:MIX mixed-mode CD...The words behind the sounds on this month’s CD |
Article Group: Mixing It!Who, what, where, and howAndy Partridge, Harold Budd | | | | | | | | | |
| Article Group: Control RoomRoland SDX330Stereo chorus with that 3-D feeling | AKG C5900A condenser mic for the rigours of the road | Sound module giant testE-mu Proteus FX, Korg X3R, Yamaha TG300 do battle | Aphex 105 noise gateMore gates, fewer greenbacks | Small PA speakers from a big, big name | Falcon hardware modsGive your Atari more studio cred | Spirit Folio Rac PacRackable, stackable mixer | | Marantz PMD720Four tracks made more affordable | Digidesign SampleCell IIMac-driven sampling re-defined | | |
| Essential new releases dissected |
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Article Group: In SessionGlastonbury soundPA secrets behind one of Britain’s biggest festivals | How our seminars rocked London’s APRS Exhibition | K-KlassWrexham's master remixers spill the beans | On a Moroccan rollFly-on-the-wall vision of an ethnic recording expedition | At home with Chris Hughes | Chris HughesThe former Tears For Fears producer invites us in for a cuppa | StrangewaysAt the controls with one of Britain’s freshest guitar bands |
| WinCompetition A dream rack stuffed with the latest in signal-processing technology worth over £2,000! |
Sounds, samples, & software upgrades for the modern studioNew software, systems, sounds, updates |
interacting with the futureThis month’s words on future worlds |
Article Group: Sound AdviceDrum recording guideFrom miking cymbals to mixing toms - all you need to know | Negotiating a record contractDon’t sign a thing until you’ve read this | The secret life of the noise gateOpen your gate and find the key to a better sound | Acoustic diffusersWhat they are, how they work, why you need them |
| Your pages, your music - our verdict |
Vintage technology strikes backCollector’s corner - including the A to Z of Analogue |
No hype, no waffle - just tomorrow's products todayYour guide to tomorrow’s new toys |
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