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Sound On Sound - June 1988

Welcome
Editorial

The Shape of Things to Come
News

A chance to check out some of the forthcoming new products that might tempt you to dig deeper into your pockets later this year.

Big Guns
Review

Roland S550/S330 Sampling Modules

David Mellor looks at Roland's flagship rackmount sampler, the S550, and its newly launched escort vessel, the S330. Are they squaring up to fire a broadside at the enemy's sampling fleet? Find out inside.

How It Works: The Cassette - Part 9
Feature

Do you live in peace with your cassette recorder? Or is your life full of mangled tape misery and longings for lost high frequencies? Confirmed reel-to-reelie David Mellor explains the problems that bedevil the cassette format, and offers some advice to make the medium work for you rather than against you.

Yamaha DX11 synthesizer
Review

Yamaha have bowed to pressure and released an easier to programme DX with an abundance of features. Tony Wride gets to grips with Yamaha’s first ever multitimbral synth with a keyboard!

Roland D110 LA Expander
Review

The Expanded Expander

Here it is - the professional version MT32 complete with separate voice outputs, built-in reverb and hardly any noise. Martin Russ looks at Roland’s new studio-oriented rackmount LA synthesizer.

A Basic Guide To Acoustic Sound Synthesis
Feature

Rudi Cazeaux explores the nature of sound and presents some basic guidelines for synthesizing the various standard groups of acoustic instruments.

Technical Tips
Feature

Practical hints and tips for the modern recording musician. Martin Russ shares some of his hi-tech pearls of wisdom.

Hot Stuff
Review

Toa MR-8T 8-track Cassette Recorder

If you thought eight tracks on standard cassette was an impossibility, think again. David Mellor assesses the world's first 8-track cassette recorder. Will it do to 8-track tape machines what the portastudio did to 4-tracks? Read on and find out...

Ensoniq ESQ/SQ80 Voice Editors
Review

More and more synth owners are turning to computer based voice editing software to take the drudgery out of programming their own sounds. We asked Matthew Newman of the Ensoniq Users Club to compare three ESQ/SQ80 editors from Soundbits, Dr T and Steinberg.

Steinberg Software Page
Feature

The second of an ‘experimental’ column devoted entirely to Steinberg software. Written and compiled exclusively for SOS by Steinberg's experts, it contains hot news of current and forthcoming software revisions plus ‘in-house’ tips and tricks on its use. Read on and respond!

Kawai K1 Synthesizer
Review

Kawai's latest 16-voice multitimbral keyboard is packed with features and aimed fairly and squarely at D50/ESQ territory. Its PCM sampled waveforms include drums and percussion, a host of standard and exotic instruments, as well as the best of the additive synth waveforms gleaned from the K5. It also has one ace up its sleeve - its price. Ian Gilby tells it like it is.

Robbie Robertson
Interview

Robbie Robertson

After calling it a day with seventies’ supergroup The Band, and an interim period spent scoring soundtracks for Martin Scorsese films, guitarist Robbie Robertson has teamed up with Daniel Lanois, Peter Gabriel and U2 to create an impeccable first solo outing. Mark Prendergast lends the album an appreciative ear.

Practically FM - Part 2
Feature

Part 2 of our new series for FM synth owners, in which Martin Russ attempts to give away the secrets of FM programming!

The Big Bang!
Review

Simmons SDX Drum Sampler

Lurking inside this angular-looking monster is a versatile computer system that will turn what is ostensibly an electronic drum kit (albeit a state-of-the-art 16-bit sampling one) into a formidable MIDI workstation. Ed Jones test drives Simmons' powerful, new SDX system.

This article has no OCR bodytext.Edits
News

The page that brings you industry news, inside views, and juicy hot gossip!

Sound On Sound - Copyright: SOS Publications Ltd.
The contents of this magazine are re-published here with the kind permission of SOS Publications Ltd.

 

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