International Musician & Recording World - November 1985
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A Washburn G-10V, a 250 watt stereo Session amp head and two Session 2X12 cabs to be won |
Article Group: Roland Newslink - Autumn 85 | Pianos: expansion & tuition | Tom RobinsonTurbo-charged recording techniques | A Producer's GuideThe Paul Wiffen production guide | | The story of one man and his synthesizer | Gary NumanThe Numan face of synthesis | Your 'which knobs matter' guide | Bass synthesizer examined | | |
| A Luddite writes, a Hollander ponders and they're just the better letters |
Drums get beaten, synths tinkled and demos hammered in the encapsulated everything section this month |
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Nigel BatesJust the ticket? How to do it yourself explained by Richard Walmsley |
Robert PalmerThe Bahamas boy talks tunes and tides with Adrian Deevoy |
Andertons MusicYou've got to 'and it to Andertons, says Billy Punter |
Lloyd Cole & The CommotionsLloyd Cole and the Commotions take the high road to Glasgow; Stuart Gillan gets the lowdown |
Tom WaitsA voice like the water running out of the bath; an interview by Chris Maillard |
Group Lighting BoardPhil 'DIYse up' Walsh sheds yet more light on your band |
When is Left Right?Sinister Tony Reed takes the side of the left-handed musician |
Paul HardcastleThe Remix Man. But he was stumped by Adrian Deevoy |
The Musical MicroTony Mills gets up to Yankee panky with some Stateside software |
The Men They Couldn't HangOur man Chris Maillard meets the Men for a man-to-Men chat |
The Jesus and Mary ChainNew Punk? Young Blood? Pop Demolishers? No, just Paul Henderson |
Choosing A TeacherSing out with Tona's bona fide guide to melodic yelling |
Gary MooreThe blurred fingers of the guitar star focussed by the blurred gaze of Richard Walmsley |
Computercheck"Wow! Space Invaders!" says Jeremy Vine. Naff off, I'm a fully musical MIDI-capable micro, says the 520ST. |
KeyboardcheckMore money means Mirage-mangling, maybe? Tony Mills sizes up the latest sampling supersynth |
DrumcheckBob Henrit misses the Kinks to hit the kit |
SequencercheckCasio get further into the pro market, Chris Jenkins gets into their newie |
Rhythmcheck£249 buys this little beauty. Bob Henrit, of course, is much cheaper |
SpeakercheckJim Betteridge pins his ears back and gets his hopes up |
GuitarcheckCarbon, but no copy concludes Dave Burrluck |
GuitarcheckFrench, Japanese, Dave B takes them all on |
Dream about this month's producer, Dan Hartman, on page 138... updated Bel delay on page 142... Manfred Mann's studio is Studio of the Month on page 145... the making of Jagger/Bowie's Dancing In The Streets is on page 148... Home Taping masters is on page 152... but first...A half-page of wit from Adrian Deevoy. Or should that be... | Dan HartmanDan Hartman takes Chas De Whalley to the US of AOR | Studio TestA peace of magic, or no Bel prize? Curtis Schwartz judges | The Workhouse StudiosThe Workhouse schows Schwartz itsch schuperschtudios | David Bowie, Mick JaggerAll profits from Tony Horkins' features go to Live Aid | The column that makes recording rewarding. Chris Maillard's got it taped |
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