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DX7 Patch |
Exclusive violin patch for the DX7.
On this patch, algorithm 17 is used which divides the sound into three parts. These are all 'carried' by the first operator, and thus give a thin, yet accurate representation of hard sounding solo violin. Operators three, four, five and six combine to form the initial tone and bowing effect, whilst the second operator with its feedback gives the violin's harmonic quality throughout the duration of a note.
Velocity sensitivity is assigned mainly to operators four and six for extra 'bite' on the attack when played hard, as well as overall velocity sensing for output level and accentuated 'hardness' of tone with hard playing. Perfect for Paganini, but not marvelous for Mendelssohn. (There'll be another goodie for your gadget next month.)
BeeBMIDI (Part 3)
(EMM Aug 84)
BeeBMIDI (Part 7)
(EMM Mar 85)
One For The 7 - DX7 Patch
(ES May 85)
Sight Reading - Yamaha DX7 Digital Synthesizer
(EMM Apr 85)
Steve Gray on the DX7
(EMM Dec 83)
The Right Connections
(ES Oct 84)
Understanding the DX7 (Part 1)
(EMM Apr 84)
Understanding the DX7 (Part 2)
(EMM May 84)
Understanding the DX7 (Part 3)
(EMM Jun 84)
Understanding the DX7 (Part 4)
(EMM Jul 84)
Understanding the DX7 (Part 7)
(EMM Oct 84)
Yamaha DX7
(12T Nov 83)
Yamaha DX7
(ES Nov 83)
Patchwork
(EMM Feb 84)
Patchwork
(EMM Mar 84)
Patchwork
(EMM Apr 84)
Patchwork
(EMM May 84)
Patchwork
(EMM Jul 84)
Patchwork
(EMM Aug 84)
Patchwork
(EMM Jan 85)
Patchwork
(EMM Feb 85)
Patchwork
(EMM Apr 85)
Patchwork
(EMM Jun 85)
Patchwork
(EMM Jul 85)
Patchwork
(EMM Feb 86)
Patchwork
(EMM Mar 86)
Patchwork
(EMM May 86)
Patchwork
(EMM Jun 86)
Patchwork
(EMM Aug 86)
Patchwork
(EMM Sep 86)
Patchwork
(MT Nov 86)
Patchwork
(MT Dec 86)
Patchwork
(MT Jan 87)
...and 19 more Patchwork articles... (Show these)
Browse category: Synthesizer > Yamaha
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