INTERVIEWS

Andrew Jones (Engineer) Sept 83
Nigel Bates (Producer) Sept 83
Ian Anderson (Jethro Tull) Nov 83
George Martin (Producer - Part 1) Nov 83
George Martin (Part 2) Dec 83
Chris Andrews (Producer) Nov 83
Stewart Copeland (Police) Dec 83
Craig Pruess (Producer) Dec 83
Torch Song Feb 84
The Units March 84
Ray Staff (Cutting Engineer) April 84
UB40 May 84
Peter Wilson (Producer) June 84
Rupert Hine (Producer) July 84
Robin Lumley (Producer) Sept 84
Mick McKenna (Engineer - Stones Mobile) Sept 84
John Foxx Oct 84
Mainframe (Sound Sampling) Nov 84
Peter Banks Nov 84
Bill Nelson (Part 1) Dec 84
Bill Nelson (Part 2) Jan 85
Steve Hackett Dec 84
Hugh Padgham (Producer) Jan 85

STUDIO SOUND TECHNIQUES

Noise reduction systems (Dolby A/dbx) Sept 83
Monitoring-bass traps Nov 83
Tape Echo Effects Feb 84
Tape Editing Techniques April 84
Tape Splicing Effects April 84
Lining-Up Procedure April 84
Leader Tapes April 84
Tape Storage April 84
Tape Loops May 84
Tape Track Formats July 84
Instant Multitracking July 84
Compression & Limiting Techniques Aug 84
Patchbay Tips Sept 84
Tape Editing (Revisited) Oct 84
Gating Techniques Dec 84
Reverb Techniques Jan 85

STUDIO FOCUS

Sackville Sound (8T-Brighton) Sept 83
Chipping Norton (24T-Chipping Norton) Nov 83
Spaceward (24T-Cambridge) Dec 83
Newcastle Media Workshops (8T-Newcastle) Feb 84
Treetop Avenue (4T-Ipswich) March 84
Angel Recordings (8T-Hull) June 84
Metronome (8T-Cambridge) July 84
Deep Studio (8T-Yorkshire) August 84

MISCELLANEOUS

Contact miking the piano (C-ducer) Sept 83
Choosing a cassette tape Sept 83
Contact miking stringed instruments (C-ducer) Nov 83
Contact miking real drums Dec 83
Home Recording with Sony PCM F1 Dec 83
Studio cables Dec 83
Mid/Side Mic Techniques Jan 84
Overdubbing with Sony PCM F1 Jan 84
Sound Advice - Don Larking Jan 84
The Box - audio metering system Feb 84
Tape Reversal Techniques Feb 84
Musician's Guide to Mixers March 84
Buying Secondhand Recording Equipment March 84
Further Sony PCM F1 Interconnections March 84
Getting the Best from your Portastudio April 84
Gateway Multitrack Course April 84
Submitting Demo Tapes to Radio Stations May 84
Recording Natural History Sounds May 84
Positioning Sounds in a Mix June 84
Guide to UK Recording/Music Courses July 84
Tonmeister Sound Course (Surrey) July 84
How to Choose a Studio Aug 84
Cassette Duplication Aug 84
Delay Technology Aug 84
Lesser Known Facts About the Common C-ducer Sept 84
Releasing Your Own Cassettes Oct 84
Mix-It-Yourself 'Portastudio' Single Dec 84
Ambisonics Dec 84
Recording Heavy Rock 'Live' Jan 85
Making Records (Part 1: Disc Cutting) Jan 85

ACOUSTICS

Soundproofing Walls Sept 83
DIY Studio Door Nov 83
Speaker positioning (Wharfedale Diamond) Dec 83
Soundproofing Windows Jan 84
Sound Absorbent Materials Feb 84
Floating Studio Floor March 84
Control Room Window Designs May 84
Sound Absorbers (Part 1) Sept 84
Sound Absorbers (Part 2) Oct 84
Sound Absorbers (Part 3) Nov 84
Monitoring - an appraisal Sept 83
Monitoring - sensitivity Nov 83
Active Speaker Systems Dec 83
Active Crossovers Jan 84
Active Terminology Feb 84
Speaker Drive Units March 84
Drive Units - Avoiding Damage April 84
Drive Units (Part 2) May 84
Which Monitor? July 84
Monitoring - Problems/Solutions Aug 84
Sub-woofers (Part 1) Nov 84
Sub-woofers (Part 2) Jan 85
Mic terminology (Part 1) Sept 83
Mic terminology (Part 2) Nov 83
Recording Drums Dec 83
Drum Recording Trends Jan 84
Condenser Mics Feb 84
Miking Acoustic Stringed Instruments March 84
Recording Vocals April 84
Vocal Mic Requirements May 84
Directional Characteristics June 84
Recording Electric Guitar July 84
Recording Bass Aug 84
Recording the Horn Section Sept 84
Recording Wind Instruments Oct 84
Microphone Basics Nov 84
Buying Microphones Dec 84
Stereo Recording Techniques Jan 85
Home Recording for Musicians (C. Anderton) Sept 83
Modern Recording Techniques (R. E. Runstein) Nov 83
Sound Recording Practice (J. Borwick) Jan 85
Studio Recording for Musicians (F. Miller) Jan 85
Kemps Recording Yearbook Jan 85
Sound Recording & Reproduction (G. Alkin) Jan 85
Abbey Road (B. Southall) Jan 85

HOME STUDIO RECORDIST

John Hamilton (8T) Watford Sept 83
Chris Baylis (8T) Oxford Nov 83
Brian Robinson (2T) Sunderland Jan 84
Peter Maydew (4T) Cambridge March 84
Kevin Hook (8T) April 84
Olivier Behzadi (8T) Herts May 84
Geoff Adams (2T) May 84
Roger Wilson (2T cassette) Cleveland June 84
Peter Tedstone (4T) Worcs Aug 84
Mike Drane (2T cassette) Southampton Sept 84
Anthony Braine(2T) Hereford Oct 84
Geoff Mitcham (8T Mobile) Bath Dec 84
The Sensible Shoes (8T) Blackpool Jan 85

INTERCONNECT

XLR connectors - history/pin configurations Sept 83
Wiring XLR connectors Nov 83
Jackfile-jack connections/standards Dec 83
Wiring jack connectors Jan 84
DIN connectors - history/pin configurations Feb 84
Wiring DIN connectors March 84
Wiring Phono connectors May 84
Impedance Matching June 84
Mating Microphones Aug 84
XLR wiring tips Aug 84
Studio Earthing Techniques (Part 1) Sept 84
Studio Earthing Techniques (Part 2) Oct 84
Decibel Games Nov 84

PROJECTS

Dynamic Noise Filter Sept 83
Audio Level Meter (dual PPM/VU) Nov 83
Destiny Modular Mixer (Part 1) Dec 83
Destiny Modular Mixer (Part 2) Jan 84
Destiny Modular Mixer (Part 3) Feb 84
Wharfedale Speaker Kit Jan 84
Test Tone (1kHz) Oscillator March 84
Realistic PZM (balancing modification) March 84
Direct Injection Box March 84
Plate Reverb March 84
Microphone Shockmount Adaptor May 84
Plate Reverb (Update) May 84
Attenuator Box (4 channel) June 84
Realistic PZM (phantom power mods) July 84
Headphone Amplifier (6 channel mono/stereo) July 84
Balanced Mic Preamp Aug 84
Patchbay (32 way) Sept 84
Phantom Power Supply (24V) Oct 84
Boss DE200 Sound Trigger Nov 84
Sound Trigger (Corrigenda) Dec 84
Stereo Autofader Nov 84
Autofader (Update) Dec 84
Modular Effects Rack (Part 1) - Sub Rack, Power Unit, Pro-Gate Dec 84
Modular Effects (Part 2) - Comp/Lim Jan 85

STUDIO ARCHIVES

Eltro Tempophon (Transposer) April 84
Revox E36 (2 Track R-R) June 84

ANATOMY OF A STUDIO

The Mixer June 84
Studio Wiring Aug 84
Studio Ergonomics Oct 84

EQUIPMENT REVIEWS

ACCESSORIES

Applied Microsystems Spin Time April 84
Brooke Siren Systems DI Box Aug 84
CAT Automatic Tape Splicer Aug 84
Isotrack Signex CP44 Patchbay March 84
MB Electronics' Jecklin Disc April 84
MPC Sync Track Sept 84
Psionics Missing Link July 84
Stand Off Clip-On Mic Stands Oct 84
Theatre Projects DI & Balancing Boxes Aug 84
Yamaha MA10 Headphone Amp Aug 84
Yamaha MM10 Portable Mixer Aug 84

AMPLIFIERS

Amcron DC300A MkII May 84
Bose Studiocraft F1 April 84
Fostex FTX300 Dec 83
HH V200 MOSFET March 84
QSC Audio 1400 Sept 84
Quad 405-2 Sept 83
Third Generation CMF 200/400/1000 Dec 84
Turner B302 & B502 June 84
Yamaha PC1002 & PC2002M Feb 84

CASSETTE DECKS

Aiwa AD-F770 Nov 84
Aiwa WX110 Dual Cassette Jan 84
Clarion XA5600A Feb 84
Tascam 234 Syncaset Sept 83
Tascam 244 Portastudio Dec 83
Tascam Porta One Ministudio Dec 84
Uher CR160 Portable July 84
Yamaha MT44 System Nov 83

HEADPHONES

Sennheiser HD230 Feb 84
Sennheiser MS80-2 Nov 83
Sony Fontopia Mini Earphones Jan 84

MICROPHONES

AKG C451/CK1 Modules Dec 84
AKG D202 & D224 June 84
Amcron PZM Nov 83
Audio-Technica PRO4L/ATM41/ATM10R Jan 84
Audio-Technica PR80/PR20 Oct 84
Audio-Technica Pro5/ATM10 Jan 85
AZ-TEC Micro-Modules June 84
Beyer M69/M400 Sep 84
Calrec Soundfield (Mark 4) March 84
C-ducer Sax Pick-Up & FX Unit Sept 84
Cutec CDM2/4/6 Nov 84
Electro Voice PL5/PL20/PL77B Dec 83
Fender P1/D1/M1 April 84
Milab Hemi-Mike MP30 Nov 83
Realistic PZM Mar 84
Sennheiser MD429/441/K3U Series July 84
Sennheiser MKE212-3 Nov 83
Sony F-PV8T Oct 84

MIXERS

Aces 12-4-2 April 84
AGM Mic Mixer Nov 84
Allen and Heath System 8 16-8-2 Nov 83
Fostex MN-15 Sept 84
Hill Multimix July 84
MTR 6-4-2 June 84
Pearl PM-66 Programmable Dec 83
Promark MX-3 8-4-2 March 84
RAM Micro RM16 June 84
Seck 122 Oct 84
Soundcraft Series 200 8-4-2 Feb 84
Soundtracs 16-8-16 Jan 84
Third Generation 16-4-2 Nov 84
Yamaha RM804 May 84

PROCESSORS

Accessit Dual Sweep EQ & Reverb April 84
Aces 27-Band Graphic EQ May 84
AGM Electron Echo Nov 84
AMS RMX-16 Digital Reverb Mar 84
Aphex Aural Exciter (Type B) April 84
Aria AD-05 Analogue Delay Aug 84
Ashly SC-33 Noise Gate Nov 84
Bel BD-80 Digital Delay July 84
Boss DE200 Digital Delay Nov 84
Cutec Reverb/Delay Sept 84
dbx 150 Stereo Noise Reduction May 84
DeltaLab Effectron Delays Dec 84
DOD R875 Flanger/Doubler Jan 84
DOD R830A Stereo Graphic EQ Feb 84
DOD R-910 Digital Delay Aug 84
Drawmer DS201 Dual Noise Gate July 84
Drawmer Multi Tracker June 84
Dynacord DRP16 Digital Reverb Dec 84
Electrospace Time Matrix April 84
Fostex 3070 Compressor/Limiter April 84
Fostex 3180 Stereo Reverb Sep 83
Goldline Spectrum Analyser July 84
Great British Spring Mk 3 June 84
Ibanez GE3101 Graphic Equaliser Jan 84
Ibanez HD1000 Harmonics Delay Jan 85
Ibanez MSP1000 Oct 84
JHS Digitec Delay April 84
Korg SDD3000 Digital Delay Feb 84
Lexicon PCM60 Digital Reverb Nov 84
Maxim MDD-1500H Digital Delay March 84
MXR 01 Digital Reverb May 84
NSF Reverb Plate May 84
Psionics NG4 Quad Noise Gate Nov 83
Quantec Room Simulator Feb 84
Rebis RA200 Effects Rack Sept 84
Roland Dimension D June 84
Roland SDE1000 Digital Delay March 84
Studio Technologies Stereo Simulator Jan 85
TC1140 Parametric EQ/Pre-Amp Dec 83
Vesta Fire RV2/RV3 Spring Reverbs Jan 85
Vesta Fire SL020 Dual Comp-Lim Nov 84
Vesta Fire Driving Exciter Aug 84
Vesta Fire Graphic Analyser/EQ April 84
Yamaha D1500 MIDI Delay Nov 84
Yamaha R1000 Digital Reverb Jan 84

SPEAKERS

AKG LSM50 Micro Monitors Nov 83
Auratone T6 Monitors Oct 84
B&W DM110/DM220 Mar 84
Bose 101 Mini Monitors Aug 84
Celestion SL6 July 84
Electro-Voice Sentry 100A Jan 84
Fostex SPA11 Powered Monitors Dec 84
JBL 4401 Monitors May 84
Kord Audio Tornado/Vulcan Dec 83
Questar QA3 Active Monitors Feb 84
Rogers LS7 & Studio 1 June 84
Tannoy Stratford Sep 83
Visonik David 6000 Sep 84

TAPE RECORDERS

Akai GX-4000D Oct 84
Fostex B16 Jan 84
Revox B77 Dec 83
Revox PR99 Nov 84
Tascam 32 Nov 83
Tascam 48 Aug 84
Teac X1000M Sep 83